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20,000 Leagues Under the Sea
20,000 Leagues Under the Sea

20,000 Leagues Under the Sea

19971h 35m★ 5.7アドベンチャーアクションサイエンスフィクションテレビ映画

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Michael Anderson

脚本: ジュール・ヴェルヌ / Joe Wiesenfeld

音楽: John Scott

制作: John Davis / ロバート・ハルミ

撮影監督: Alan Hume

制作会社: Hallmark Entertainment / RHI Entertainment

口コミ

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キャスト

リチャード・クレンナ
リチャード・クレンナ
Professor Aronnax
Ben Cross
Ben Cross
Capt. Nemo
Julie Cox
Julie Cox
Sophie
Michael Jayston
Michael Jayston
Admiral Sellings
Jeff Harding
Jeff Harding
Capt. Farragut
No Image
David Henry
Scotia Capt.
No Image
James Vaughan
Father
No Image
Susannah Fellows
Mother
No Image
Joshua Brody
Child
Phillip Van Dyke
Phillip Van Dyke
Ned Land

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 5

After what seems like an age of prologue material, "Prof. Aronnax" (Richard Crenna) and his daughter "Sophie" (Julie Cox) finally set sail on the USS "Abraham Lincoln" under the command of "Capt. Farragut" (Jeff Harding) in search of a sea monster that has been marauding the South Seas terrorising the shipping. Luckily they have harpoon man "Ned Land" (Paul Gross) on board, so catching and killing this beast ought to be a synch. Well, the animal duly arrives and next thing, the threesome find themselves guests of the enigmatic "Capt. Nemo" (Ben Cross) who has a serious axe to grind with those on the surface. This smacks of a pilot episode to a television series. It takes far too long with character establishment then relies almost entirely on the underwater visual effects to tell a story that is really bereft of decent acting and writing skills. Jules Verne wrote a great story that offers loads to a film-maker, but Michael Anderson seems content to leave us with this lacklustre sequence of pretty predictable, lame even, adventures and there is even room for a little love triangle between the captain, the harpoonist and the daughter (who reminded me of Sheena Easton) who is fed up having to compromise as a woman in a man's world. Nothing at all memorable here, Cross is shockingly wooden and if this is the story for you, then the 1954 Disney version and the 1916 silent ones are far, far better.

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