FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
© 2026 Bennu Inc.TMDB Logo

本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

チェイサー
チェイサー

チェイサー

20171h 35m★ 6.2アクションスリラー
Hulu

あらすじ

シングルマザーのカーラ(ハル・ベリー)は、公園で一瞬だけ目を離したすきに、息子のフランキーを何者かに連れ去られてしまう。彼が乗せられた車を追い掛けたが見失い、犯人が誰なのか全くわからず、地元の警察もまともに取り合ってくれない。それでもカーラは、たった一人で息子を取り戻すことを決意する。

作品考察・見どころ

本作の核心は、ハル・ベリーが見せる「極限状態の母性」の凄まじさにあります。愛する存在を奪われた時、人はどこまで強くなれるのか。彼女が演じるのは特殊な技術を持つヒーローではなく、ただ必死な一人の親です。その瞳に宿る、絶望を怒りへと昇華させた鬼気迫る表情は、観る者の本能を激しく揺さぶり、物語の推進力を爆発させています。 演出面では、一切の無駄を削ぎ落とした純度の高いスリルが際立ちます。日常が瞬時に戦場へと変貌する恐怖、そして限界を超えて突き進む追跡劇の緊迫感は、もはや映像体験というよりは生存本能の疑似体験と言えるでしょう。人間の底力を信じさせてくれるその圧倒的な熱量は、鑑賞後も消えることのない鮮烈な余韻を刻みつけます。

興行成績

製作費: $21,000,000 (32億円)

興行収入: $30,718,107 (46億円)

推定収支: $9,718,107 (15億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

口コミ

あなたの評価を記録する

予告・トレイラー

配信サービス

サブスクリプション

Hulu

レンタル・購入

Google Play Movies

キャスト

ハル・ベリー
ハル・ベリー
Karla Dyson
Sage Correa
Sage Correa
Frankie Dyson
Chris McGinn
Chris McGinn
Margo Fickey
Lew Temple
Lew Temple
Terry Fickey
Jason George
Jason George
David
Christopher Berry
Christopher Berry
The Bearded Man
Arron Shiver
Arron Shiver
Bill
No Image
Kurtis Bedford
Del
Dana Gourrier
Dana Gourrier
Deputy Sheriff
Carmella Riley
Carmella Riley
Stephanie

スタッフ・制作会社

監督: Luis Prieto

脚本: Knate Gwaltney

音楽: Federico Jusid

制作: Lorenzo di Bonaventura / エレーヌ・ゴールドスミス・トーマス / ハル・ベリー

撮影監督: Flavio Martínez Labiano

制作会社: Ingenious Media / di Bonaventura Pictures / Gold Star Films / Lotus Entertainment / 606 Films / Well Go USA Entertainment / Rumble Entertainment

TMDB ユーザーのレビュー

Gimly
Gimly
★ 4

Poorly crafted and pretty predictable, I do wonder how Halle Berry got to making movies like _Kidnap_. It's not awful, but it's obviously low-budget, and there's nothing to it that I can really see as being appealing beyond the paycheque. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Reno
Reno
★ 8

**It's now or never! A mother's fight back!** Truly shocking for people blindly following the words of critics. This is really a good film. I totally enjoyed it. Well, it was not like I never saw such film. In a century of motion picture history, hundreds of similar films were made. This is just another one, but there's nothing wrong with it. People wrongly judged it. The pace of the film was rocket speed. So basically, there's no time for one to keep looking for flaws. If they do, then they're not enjoying the show. They missed out everything, hence end up bashing it. Just like the clowns, aka film critics. It was another kidnap film that Halle Barry in it, that's similar to her previous film 'The Call'. It did not take long to get into the action. A hardworking mother, going through divorce, fighting for her son's custody. While engaging in a phone call, she loses her son in an amusement park. The alert mother quickly jumps into pursuing when he was seen forcefully taken in a stranger's car. The remaining events take place on the road, with car chases, with a twist before the conclusion. Nicely written screenplay and well performed actors, particularly Halle Berry. I have never seen she had played such an energetic role in the recent time. Whatever the storyline is, it's kind of an inspiring film. How a mother fought for her son. Totally a mother instinct. You can't simply expect like the film 'Taken'. It might not be realistic, but cinematically honest. The same thing happens in the animal world too. Sad that the film released after so many delays. Moreover, how people responded to it. Believe me, it is a nice film and I definitely suggest it to all. _8/10_

CinemaSerf
CinemaSerf
★ 5

So amidst a child custody battle, “Karla” (Halle Berry) takes her young son “Frankie” (Sage Correa) to the park for some fun. Whilst she takes an important phone call he gets snatched and she only just manages to see him squashed into a car. She quickly sets off in pursuit and for the next ninety minutes we follow her most unlikely chase. Unfortunately, she dropped her phone in the car park so has no way to summon help. Is it her disgruntled ex who is behind this? Is it maybe just someone on the production trying to save the kid from more screen time than absolutely necessary? Well mom ain’t giving up as they leave the city heading who knows where. She does manage at one stage to force a confrontation and is told that for $10k she can have him back, but that part of the storyline is so completely ridiculous that again you begin to wonder just what made Berry see anything worth doing in this increasingly preposterous film. To be fair to it’s star, she does imbue her character with a degree of panic and desperation as the thing moves along, but the scenarios are just plain ridiculous and serendipitous to be taken seriously on just about any other level. Maybe wouldn’t mess with her wielding a shovel, though,

CinemaSerf
CinemaSerf
★ 5

So amidst a child custody battle, “Karla” (Halle Berry) takes her young son “Frankie” (Sage Correa) to the park for some fun. Whilst she takes an important phone call he gets snatched and she only just manages to see him squashed into a car. She quickly sets off in pursuit and for the next ninety minutes we follow her most unlikely chase. Unfortunately, she dropped her phone in the car park so has no way to summon help. Is it her disgruntled ex who is behind this? Is it maybe just someone on the production trying to save the kid from more screen time than absolutely necessary? Well mom ain’t giving up as they leave the city heading who knows where. She does manage at one stage to force a confrontation and is told that for $10k she can have him back, but that part of the storyline is so completely ridiculous that again you begin to wonder just what made Berry see anything worth doing in this increasingly preposterous film. To be fair to it’s star, she does imbue her character with a degree of panic and desperation as the thing moves along, but the scenarios are just plain ridiculous and serendipitous to be taken seriously on just about any other level and the editing and continuity are the stuff of college work. Maybe wouldn’t mess with her wielding a shovel, though,

おすすめの作品