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Tales of Terror
Tales of Terror

Tales of Terror

19621h 29m★ 6.7ホラーコメディ謎スリラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: ロジャー・コーマン

脚本: Richard Matheson / エドガー・アラン・ポー

音楽: Les Baxter

制作: ロジャー・コーマン / Samuel Z. Arkoff / James H. Nicholson

撮影監督: Floyd Crosby

制作会社: Alta Vista Productions / American International Pictures

口コミ

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キャスト

Vincent Price
Vincent Price
Locke / Fortunato / Valdemar / Narrator
Peter Lorre
Peter Lorre
Montresor ("The Black Cat")
Basil Rathbone
Basil Rathbone
Carmichael ("The Case of M. Valdemar")
Debra Paget
Debra Paget
Helene ("The Case of M. Valdemar")
Maggie Pierce
Maggie Pierce
Lenora ("Morella")
Joyce Jameson
Joyce Jameson
Annabel ("The Black Cat")
No Image
Leona Gage
Morella ("Morella")
David Frankham
David Frankham
Dr. James ("The Case of M. Valdemar")
Lennie Weinrib
Lennie Weinrib
Policeman ("The Black Cat")
Wally Campo
Wally Campo
Barman Wilkins ("The Black Cat")

TMDB ユーザーのレビュー

John Chard
John Chard
★ 7

Corman, Poe & Price. The fourth venture into Poe adaptations for Roger Corman and Vincent Price sees them taking on the portmanteau format with a trilogy of creepers. First off is Morella, which finds Price as a typecast loner living in a big old mansion with the dead corpse of his wife! Enter his daughter, who at birth was the reason for Morella’s death and thus Price originally holds a grudge, but of course there is a twist in the tale. Secondly is The Black Cat, with Peter Lorre joining Price in the best of the three tales. Price is a wine tasting dandy, Lorre a complete drunk and once Price meets Lorre’s beautiful put upon wife, things are going to end badly. Finally is The Case of M Valdemar which pits Basil Rathbone into the mix as a devious hypnotist who uses his powers for what he thinks will be sexually tinged deeds. Price is in this as well, but spends most of the story as a corpse. It’s a short sharp shock piece of film making, fun and sometimes stylish, it doesn’t however have the requisite scares to marry up with the welcome black humour that makes the second instalment the standout. Still, having three legends of cinema in one picture has to be a bonus, and The Black Cat alone is worth investing time with this one. 7/10

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