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The Guvnors
The Guvnors

The Guvnors

20141h 35m★ 5.2犯罪スリラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Gabe Turner

脚本: Gabe Turner

音楽: Paul Arnold / Andrew Barnabas

制作: Danny Potts / Leo Pearlman

撮影監督: James Friend

制作会社: Fulwell 73 Productions / DP Films / Creativity Capital

口コミ

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キャスト

No Image
Harley Sylvester
Adam
Doug Allen
Doug Allen
Mitch
Jay Simpson
Jay Simpson
Neil
Charley Palmer Rothwell
Charley Palmer Rothwell
Trey
Martin Hancock
Martin Hancock
DC Meyler
Melanie Gutteridge
Melanie Gutteridge
Angie
No Image
Cameron Lee Farrelly
Alfie
Vas Blackwood
Vas Blackwood
Bill
Tony Denham
Tony Denham
Trent
Paul Reynolds
Paul Reynolds
Tone

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 5

We start with gang leader "Adam" (Harley Sylvester) proving who's the boss to the neighbours. A brutal and violent man, he then proceeds to visit a boozer that used to be the haunt of the legendary "Guvnors" where he comes off slightly worse at the hands of the elderly " Mickey" (David Essex). Humiliated, he exacts his revenge and soon the two gangs are heading for a rumble with his newly invigorated opponents led by "Mitch" (Doug Allen). Now had this just stayed on the path of a nasty, vicious, tale of gangland power-struggling, then it might just have been passable. It doesn't! It introduces some frankly ridiculous familial sub-plots and delivers these and the overall narrative via some pretty static dialogue and some even worse acting performances. Sylvester just has no menace to him at all, whatever the expletives are that emanative from his scarred face. Maybe I just recall him too much as the quiet one from "Rizzle Kicks" a bit here, but he is just unremarkable. No more so, it has to be said, than the equally unconvincing "Mitch" whose character reminded me of someone from "Green Street" (2005). It can't have had much of a budget, and the production and editing look the product of basic, single-camera, assemble direction that seems determined to shock us into appreciation rather than engage us with any of these, frankly rather odious, individuals. Maybe it is indicative of aspects of East London life, but presented this way I couldn't honestly say I cared about any of them up to and after it's "West Side Story" style denouement.

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