FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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No Way Out
No Way Out

No Way Out

19501h 46m★ 6.9ドラマ犯罪スリラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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興行成績

興行収入: $1,300,000 (2億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

スタッフ・制作会社

監督: Joseph L. Mankiewicz

脚本: Joseph L. Mankiewicz / Lesser Samuels

音楽: Alfred Newman

制作: Darryl F. Zanuck

撮影監督: Milton Krasner

制作会社: 20th Century Fox

口コミ

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キャスト

リチャード・ウィドマーク
リチャード・ウィドマーク
Ray Biddle
Linda Darnell
Linda Darnell
Edie Johnson
シドニー・ポワチエ
シドニー・ポワチエ
Luther Brooks
Stephen McNally
Stephen McNally
Dan Wharton
Mildred Joanne Smith
Mildred Joanne Smith
Cora Brooks
Harry Bellaver
Harry Bellaver
George Biddle
Stanley Ridges
Stanley Ridges
Sam Moreland
Dots Johnson
Dots Johnson
Lefty Jones
Robert Adler
Robert Adler
Louie (uncredited)
Ernest Anderson
Ernest Anderson
School Teacher (uncredited)

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Talk about biting the hand that would feed you! Two petty thieves end up in hospital after a robbery went wrong. “Ray” (Richard Widmark) is an angry and odious character who refuses to let the duty doctor “Brooks” (Sydney Poitier) anywhere near his injured brother. His protestations are ignored, but when the patient dies his brother begins to make all sorts of vile racist assertions against the doctor. These noises are soon being heard on the streets, and with racial tensions already running high the situation becomes dangerous for the doctor, his family, his hospital and amidst a community at large just itching for a brawl. Central to this toxicity is “Edie” (Linda Darnell). She was formerly married to the deceased man and although she’s not quite a card-carrying member of the KKK, she is still fairly bigoted and is inclined to support the allegations of “Ray”. However, as she sees the brutality unfold might she realise that she is wrong, that “Ray” is wrong and that she might be the only one who can help - especially when “Ray” escapes and sets off on his own path of vengeance. Widmark wasn’t always the most engaging of actors, indeed he could be downright wooden at times, but here there is something viscerally unpleasant about his characterisation and he commits himself completely to depicting an ignorant man convincingly. Darnell is also on great form as a troubled soul for whom it is quite difficult to have sympathy at the start, but whose performance rather effectively epitomises struggles across America with matters of racism, mental illness and to an extent, sexism too. Poitier’s character isn’t so very well developed, but he still manages to bring a professional dignity to his role, especially towards the conclusion, and all in all this is a thought-provoking film that even manages to evoke a little pity, too.

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