FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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デリンジャー
デリンジャー

デリンジャー

19731h 47m★ 6.6アクション犯罪ドラマ

あらすじ

骨太演出が魅力のジョン・ミリアス監督が伝説のギャング・スター、ジョン・デリンジャーの生涯を映画化した実録ドラマ。1930年代、デリンジャーが銃を片手に銀行強盗を繰り返していた姿を暴力映像満載で描く。

作品考察・見どころ

ジョン・ミリアス監督の作家性が爆発した本作は、単なる犯罪映画の枠を超え、滅びゆくアウトローへの哀切な挽歌として結実しています。ウォーレン・オーツが体現するデリンジャーは、粗野ながらも強烈なカリスマ性を放ち、観客を魅了します。暴力的な銃撃戦の背後にある、個人の自由を渇望する時代の息吹が、スクリーンの端々から鮮烈に伝わってきます。 対峙するベン・ジョンソンの冷徹な演技も光り、追う者と追われる者の宿命が作品に神話的な厚みを与えています。時代の波に飲み込まれる男たちの最期の輝きを捉えた映像美は、魂を激しく揺さぶるでしょう。演出の美学と生身の人間が放つ熱量が融合した、正真正銘の傑作です。

興行成績

製作費: $1,000,000 (2億円)

興行収入: $2,000,000 (3億円)

推定収支: $1,000,000 (2億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ウォーレン・オーツ
ウォーレン・オーツ
John Dillinger
Ben Johnson
Ben Johnson
Melvin Purvis
Michelle Phillips
Michelle Phillips
Billie Frechette
クロリス・リーチマン
クロリス・リーチマン
Anna Sage
ハリー・ディーン・スタントン
ハリー・ディーン・スタントン
Homer Van Meter
Geoffrey Lewis
Geoffrey Lewis
Harry Pierpont
John P. Ryan
John P. Ryan
Charles Mackley
リチャード・ドレイファス
リチャード・ドレイファス
Baby Face Nelson
John Martino
John Martino
Eddie Martin
ロイ・ジェンソン
ロイ・ジェンソン
Samuel Cowley

スタッフ・制作会社

監督: John Milius

脚本: John Milius

音楽: Barry De Vorzon

制作: Samuel Z. Arkoff / Buzz Feitshans / ローレンス・ゴードン

撮影監督: Jules Brenner

制作会社: American International Pictures

TMDB ユーザーのレビュー

tmdb76622195
tmdb76622195
★ 6

Warren Oates walks like bank robber John Dillinger, he talks like Dillinger, he shoots like Dillinger, and he is one of the best things about "Dillinger." John Milius wrote and directed this 1973 action packed biopic about the infamous bank robber. It acknowledges Arthur Penn's "Bonnie and Clyde" a couple of times, but Milius' script is not as good as the eye-wow he shows us. The story may be familiar, it has been told on dozens of true crime documentaries. John Dillinger and his gang terrorized the Midwest with violent bank robberies. He was captured in Arizona, brought back to Indiana, and escaped from jail using a bar of soap carved into the shape of a gun and blackened with shoe polish. Hot on his trail was the FBI's Melvin Purvis (Ben Johnson), who made it his own personal vendetta to kill all of these criminals, smoking cigars over their dead bodies. The gang have their own loving bad girls to hunker down with, and Dillinger had prostitute Billie (Michelle Phillips). Dillinger was killed outside the Biograph Theater in Chicago while seen with the infamous lady in red, Anna Sage (Cloris Leachman). While "Bonnie and Clyde" was a historic entry in the crime film genre, I thought the film makers in that situation glorified the duo a little too often. "Dillinger" does the opposite, making the bank robber as mean as we imagine he was. Milius' efforts to portray Dillinger as a villain backfire, since we see him in the couple of years before his death, never finding out how he got in to crime in the first place. His family is briefly shown, but nothing comes from the scene. Milius throws us into Dillinger's exploits immediately, but without any background, there is not sympathy, empathy, and eventually interest involved with the man. The beginning of the film is an exercise in choppy editing and stiff scenes until we get to the actions sequences. It makes me wonder what was left on the cutting room floor. Ben Johnson plays a great Melvin Purvis, a wonderful character name if I didn't know the person existed in real life. While he should be our hero, Purvis is shown to be just as violent as Dillinger. Milius plays with us, with Purvis showing no mercy for some criminals, yet sparing others, without any kind of explanation. We know Purvis as well as we know Dillinger. What does Milius leave us with? Incredible shootout sequences. There is a giant gun battle at a house that takes forever and is worth every minute of film. The film is violent and does not flinch when it comes to showing the death and destruction done by both sides of the law. Milius' direction is good, and his fuzzy Depression era vistas are pretty to look at. The cinematography is great, as is the set design and costuming. The rest of the supporting cast is fine, and full of some recognizable names. Michelle Phillips is okay as Billie, although this moll type part is old hat. Harry Dean Stanton is funny as gang member Homer, his final scene is one of the best in the film. Cloris Leachman, then a recent Oscar winner, has just two scenes as Anna, I would have liked to see more. Oates is the best Dillinger ever portrayed on film. Tons of character actors populate the rest of the cast: Geoffrey Lewis, John P. Ryan, Steve Kanaly, Frank McRae, Richard Dreyfuss as Baby Face Nelson, all good. With "Dillinger," you get a mixed bag. On the one hand, you have incredibly violent shootouts that took many lives. On the other hand, you have no reason to care about these characters or their internal motivations. Maybe we know how Purvis felt about Dillinger after all.

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