「終わらないゲームにあなたを招待します。」35歳独身彼女なしのサラリーマン・山田健一。ヌルゲーを嫌い、10年以上やりこめるゲームを探していた彼は、ある日、地球から姿を消した……。偶然見つけた名前の無いネットゲームを最高難易度「ヘルモード」でプレーしようとしていた健一は、異世界の農奴の少年・アレンに転生してしまう！！唯一無二にして謎多き才能「召喚士」を駆使して、ヌルくない異世界で最強への道を手探りで歩み始めるアレン。しかし、攻略本やネット掲示板が存在せず、レベルアップさえ困難な異世界生活は予想以上に「ヘルモード」で！？ヌル～い異世界生活じゃ物足りない！序盤から最強主人公はもう古い！？元廃ゲーマーが行く超高難易度の異世界冒険譚、開幕！！
AIが作品の魅力を深く読み解いています
映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。
A remake of the 2012 Telugu film Julayi, Saagasam has the ingredients that make a masala potboiler (not surprising given its origin), but the film also exists in a reality that is its very own where logic and realism are hard to find. The plot revolves around Ravi (Prashanth), a young man who wants to get rich quick. He challenges his father (Nasser) that he will earn Rs 1 lakh in two hours if he is given Rs 10,000, but crosses path with Bittu (Sonu Sood), who is planning to rob a bank for Varadarajan (Kota Srinivasa Rao), a minister. Ravi's intelligence helps the cops catch Bittu in the act, but the latter escapes and wants his vengeance. The film moves at breakneck pace and in fact, belongs in the list of films that want the viewer to start thinking about the next scene even before the current one is over. This helps in a way because we do not have to focus on the absurdities in the scenes and take them at face value for the time they last. The screenplay also makes it less of an action film and more of a battle of wits between two characters, who might be more similar than they think. Think of it as a Hari film with an urbane setting and characters. There is also comedy in the form of Thambi Ramaiah and MS Bhaskar, who play high-ranking police officials who are cowards and let the hero, who is staying in their house under the witness protection programme, call the shots. There is also comedy of the unintended kind that makes its presence felt every now and then when the film makes leaps of logic that make our jaws drop. Then, there is a romantic track, whose very existence is to provide the hero with something else to do apart from trading quips with the villain. And it also helps in extending the film's running time to over two hours, as we get peppy but forgettable songs (the music is by Thaman) that are shot in a cliched manner. Prashanth, making a return to the screen after quite a while, gives his best, but we can't help but feel that this required an even younger hero. But what lets the film down the most is that it is directed without any feel for the material, so we are unsure if we need to take the film seriously or as a spoof.
