“語り継がれる事はない。これで世界は終焉(おわ)るー。”
ダンとスカイラーの結婚パーティーが催され、2人を祝福しようと多くの友人、知人が集まっていた。そんな時、出席者が次々と倒れ、魂を抜かれたように死んでしまう。パニックに陥る会場に、今度は爆音が轟く。何事かと外に出たダンたちは、旅客機がバラバラになって墜落するさまを目撃する。やがて地面が揺れ、雷鳴が響き、大粒の氷塊が降り注ぐ。ダンたちは世界の終わりのような光景の中、必死に安全な場所を求める。
AIが作品の魅力を深く読み解いています
興行収入: $1,169,603 (2億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Casey La Scala
脚本: Chris Dowling / Casey La Scala
音楽: Nathan Whitehead
制作: Casey La Scala / Brad Luff / Marc Bienstock
撮影監督: Doug Emmett
制作会社: Sunrise Pictures / Affirm Films / Cinematic / Baron Films / Triumph Films
The story was a little weak, especially since a lot of the information was not biblical. But the concept of choice was (to me) the most important take away. Great acting and directing.🌟🌟🌟🌟
The Remaining starts off with a decent setup, introducing its characters with a handheld camera style that gives it a sense of immediacy. Unfortunately, that's about where the good parts end. The plot quickly falls apart, with pacing that feels inconsistent and a script that relies too much on clichés. The movie never really builds tension, and instead of diving into the weight of its concept, it leans on surface-level drama without much depth. The directing feels amateurish, especially with the way scenes abruptly cut with no proper transition, making it feel more like a rough edit than a finished film. Visually, the choice of a full-frame camera works against the movie's intended disaster and apocalyptic tone, making everything look too polished when it should feel gritty. The overuse of shaky cam doesn't add intensity, it just makes the scenes hard to watch. The acting is passable, but the characters are one-dimensional, with dialogue that feels forced and unnatural. The score doesn’t do much to enhance the atmosphere, and the sound design, while functional, never elevates the tension. By the end, the movie just feels like wasted potential, dragging itself to a finish with nothing memorable to take away.
