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Prick Up Your Ears
Prick Up Your Ears

Prick Up Your Ears

19871h 51m★ 6.7ドラマ

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No synopsis available.

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キャスト

ゲイリー・オールドマン
ゲイリー・オールドマン
Joe Orton
アルフレッド・モリーナ
アルフレッド・モリーナ
Kenneth Halliwell
Vanessa Redgrave
Vanessa Redgrave
Peggy Ramsay
ウォーレス・ショーン
ウォーレス・ショーン
John Lahr
リンゼイ・ダンカン
リンゼイ・ダンカン
Anthea Lahr
ジュリー・ウォルターズ
ジュリー・ウォルターズ
Elsie Orton
No Image
James Grant
William Orton
Frances Barber
Frances Barber
Leonie Orton
Janet Dale
Janet Dale
Mrs Sugden
No Image
Dave Atkins
Mr Sugden

スタッフ・制作会社

監督: スティーヴン・フリアーズ

脚本: John Lahr / Alan Bennett

音楽: Stanley Myers

制作: Andrew Brown

撮影監督: オリヴァー・ステイプルトン

制作会社: British Screen Productions / Civilhand / Zenith Entertainment / Film4 Productions

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Maybe now, a few decades after this was made and when the politically correct brigade advocate that only gay actors should play gay roles, they ought to watch this and see just how engagingly two straight blokes can do what it says on their CVs and act! This is quite a witty and telling retrospective on the turbulent lives of playwright John "Joe" Orton (Gary Oldman) and his general factotum, friend, confidante and part-time lover "Kenneth" (Alfred Molina) set at a time when homosexuality in the UK was starting to emerge from the shadows of illegaility and, even amongst the more theatrical fraternity, was still frowned upon. What now ensues sees their relationship vacillate wildly, temptation rear it's ugly head and an unattractive degree of thoughtless, even callous, behaviour creep into Orton's behaviour towards his obsessive friend. Jealousy and toxicity aren't far away either, especially when Orton starts to see the fruits of his labours and makes a few quid. It's quite possibly the most perverse of love stories and there's a palpable chemistry that straddles loving and loathing between these two men that's well delivered by Orton, yes, but more so by the emotionally cuckolded character played by Molina. It's entertainingly speculative in nature, but that's delivered plausibly and epitomises a great many relationships where success profoundly alters the dynamic with drastic effects. It's also an interesting glance at the hypocrisy of public attitudes in the UK in the late 1960s and though not quite so potently, still resonates today - long after the "Section 28" debate that was about to hit the UK shortly after this was made. Good soundtrack, too.

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