北京の55日
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
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興行成績
製作費: $17,000,000 (26億円)
興行収入: $10,000,000 (15億円)
推定収支: $-7,000,000 (-11億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $17,000,000 (26億円)
興行収入: $10,000,000 (15億円)
推定収支: $-7,000,000 (-11億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Nicholas Ray
脚本: Philip Yordan / Bernard Gordon
音楽: Dimitri Tiomkin
制作: Samuel Bronston / Michał Waszyński / Alan Brown
撮影監督: Jack Hildyard
It is tempting just to look upon this as an imperialist (Western, not Chinese) costume drama with fireworks. I think, however, it does merit a little more credit than that. Samuel Bronston pulls together quite a cast as Hollywood (via Madrid and Valencia) gives us it's version of the failed/foiled Boxer rebellion that lead to the ultimate decline of the Dragon Throne. Charlton Heston and David Niven develop a decent enough chemistry as the story takes shape, and Ava Gardner, Flora Robson, Leo Genn and Paul Lukas ensure there is some strength and depth to the supporting cast, and therefore to the story of the siege of the diplomatic compound in Peking by Chinese rebels in 1900. The sets are testament to what could be done in a world before CGI (and I bet the budgets wouldn't be that much different, either) and the mass-participation scenes are colourful, noisy and look good. As ever with these kind of films, there is an inevitability around the outcome; however preposterous the odds - but this is still a commendable effort to enlighten us, a little, as to the attitude of the colonial powers to China at the turn of the 20th Century.
