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A Woman's Face
A Woman's Face

A Woman's Face

19411h 46m★ 6.8ドラマスリラー

あらすじ

No synopsis available.

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興行成績

製作費: $1,343,000 (2億円)

興行収入: $1,907,000 (3億円)

推定収支: $564,000 (1億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ジョーン・クロフォード
ジョーン・クロフォード
Anna Holm
メルヴィン・ダグラス
メルヴィン・ダグラス
Dr. Gustaf Segert
コンラート・ファイト
コンラート・ファイト
Torsten Barring
Osa Massen
Osa Massen
Vera Segert
Reginald Owen
Reginald Owen
Bernard Dalvik
Albert Bassermann
Albert Bassermann
Consul Magnus Barring
Marjorie Main
Marjorie Main
Emma Kristiansdotter
Donald Meek
Donald Meek
Herman Rundvik
Connie Gilchrist
Connie Gilchrist
Christina Dalvik
No Image
Richard Nichols
Lars-Erik Barring

スタッフ・制作会社

監督: George Cukor

脚本: Francis de Croisset / Elliot Paul / Donald Ogden Stewart

音楽: Bronislau Kaper

制作: Victor Saville

撮影監督: Robert H. Planck

制作会社: Metro-Goldwyn-Mayer

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Joan Crawford ("Anna") is on top form in this adept Cukorian adaptation of Francis de Croisset's play. Set in Sweden, she is a young girl scarred after an accident in her home many years earlier. Feeling herself rejected by society, she turns to petty blackmail with "Barring" (Conrad Veidt) and alights on the cheating wife "Vera" (Isa Massen) of plastic surgeon "Gustaf" (Melvyn Douglas). Whilst amidst her extortion attempts, she is apprehended by the doctor who mistakes her for a burglar. Persuaded not to call the police by his wife, "Gustaf" turns his attention to her disfigurement, and offers to help... Meantime, "Barring" is starting to run out of credit, so tells her of his wealthy uncle who has only a young grandson to inherit his fortune. Should anything happen to the young boy, then it would all be his - or, theirs! She pretends to be a governess and heads to look after the young lad. Will she carry out their dastardly plan and dispose of their obstacle to wealth and happiness? It's told by way of a trial at which "Anna" is the accused, so for most of the film we are not entirely sure who has been killed - or, indeed, who did any killing. The method by which each "witness" gives their statement fills in parts of the jigsaw without ever spoiling the suspense. Veidt is great as the baddie - as usual, and Richard Nichols is engaging as the mischievous four year old object of their ploy "Lars-Erik". Crawford's characterisation is strong and layered - we begin to see a little more of this flawed woman as the story progresses - even eliciting a touch of unlikely sympathy. This is a compelling drama, well paced with plenty of meat on it's bones and well worth a watch.

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