FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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Die fetten Jahre sind vorbei
Die fetten Jahre sind vorbei

Die fetten Jahre sind vorbei

20042h 7m★ 7.2ドラマコメディ

あらすじ

No synopsis available.

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キャスト

ダニエル・ブリュール
ダニエル・ブリュール
Jan
Julia Jentsch
Julia Jentsch
Jule
Stipe Erceg
Stipe Erceg
Peter
Burghart Klaußner
Burghart Klaußner
Justus Hardenberg
Peer Martiny
Peer Martiny
Villenbesitzer
Petra Zieser
Petra Zieser
Villenbesitzerin
No Image
Laura Schmidt
Tochter
No Image
Sebastian Butz
Sohn
Oliver Bröcker
Oliver Bröcker
Globalisierungsgegner
Hanns Zischler
Hanns Zischler
Vermieter

スタッフ・制作会社

監督: Hans Weingartner

脚本: Hans Weingartner / Katharina Held

音楽: Andreas Wodraschke

制作: Sabine Holtgreve / Georg Steinert / Antonin Svoboda

撮影監督: Matthias Schellenberg / Daniela Knapp

制作会社: Y3 Film / Coop99 Filmproduktion / SWR / ARTE

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Though it does rather run out of steam at the end, this is quite a fun dramatisation following three radical twenty-somethings who want to teach the wealthy a lesson. "Jan" (Daniel Brühl) and "Jule" (Julia Jentsch) decide to break into the luxury home of "Herdenberg" (Burghart Klaußner) and have some fun. They rearrange his furniture, pinch his booze - even throw his expensive leather sofa into his swimming pool. They leave before he gets home, but quickly she discovers she has left her phone behind. They're not so lucky on their return visit to fetch it, and soon they find themselves with an unwilling hostage and on the run. They draft in the support of her boyfriend and fellow activist "Peter" (Stipe Erceg) and head to a remote cabin where the four, over a period of a few days, start to rethink their lives, loves and priorities. Thing is, what are they to do with their prisoner? It's an enjoyably lighthearted drama, this, with engaging performances from Brühl and from Jenstch whilst we watch Klaußner never quite sure if his character is a man, with a lively past of his own, who can be trusted. It is too long, and the second hour could do with some judicious use of the razor blade, but the writing delivers quite an understated yet potent message about what actually matters and at how politics change as we age and in many cases re-evaluate.

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