“私たちってどこかヘンですか…”
アダムス家の当主ゴメスと妻のモーティシアとの間に３人目となる男の赤ちゃんが誕生。ピューバートと名付けられ、その乳母としてデビーという女性が雇われる。子供の面倒をよく見るデビーをゴメスとモーティシアは信頼するが、長女ウェンズデーだけは彼女の正体を知っていた。実はデビーは金持ちの独身男と結婚して財産をせしめては殺す連続殺人鬼。ゴメスの兄フェスターに近付くため、乳母としてアダムス家にやってきたのだった。
AIが作品の魅力を深く読み解いています
製作費: $47,000,000 (71億円)
興行収入: $48,919,043 (73億円)
推定収支: $1,919,043 (3億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: バリー・ソネンフェルド
脚本: Paul Rudnick / チャールズ・アダムズ
音楽: Marc Shaiman
制作: David Nicksay / Susan Ringo / スコット・ルーディン
撮影監督: Donald Peterman
Almost thirty years after their first on screen appearance, and more than **fifty** after their creation, The Addams Family proved itself still relevant in the 1990s. _Addams Family Values_ specifically though, might be my favourite part of the whole franchise. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
As sequels go, this one is really quite good fun. The arrival of baby "Pubert" doesn't exactly thrill "Wednesday" (Christina Ricci) nor "Pugsley" (Jimmy Workman) and they determine that he has to go! Meantime, parents "Morticia" (Anjelica Huston) and "Gomez" (Raul Julia) decide that they need to get him a nanny - and they alight on "Debbie" (Joan Cusack) who immediately sets her sights on "Uncle Fester" (Christopher Lloyd). The children are sent to one of those horrible summer camps run by the kumbaya brigade where they don't quite fit in with the curriculum of the nauseatingly gloopy "Becky" (Christine Baranksi) and her abundance of twee students straight out of "Little House on the Prairie". Scene set for some deliciously dark antics as the kids must escape from the monstrousness of their retreat - causing a maximum of damage and delivering quite a potent assessment of the plight of the native American en route - and deal with their domestic interloper. Speaking of interlopers, it's also clear that nanny has quite a malevolent streak of her own - and "Fester" might soon be destined to join her long list of deceased spouses. As ever, it's Huston who steals the show here - she barely features, but when she does she imbues the whole thing with a certain menacing dignity. The rest of the ensemble work well together and the story is peppered with plenty of daft (adult) humour, a little bit of gentle slapstick and "Lurch" (Carer Struycken) is there to keep order. There's plenty of attention to the detailed look of the film and in the end I was was probably with the siblings about the young "Pubert"!
