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Das Wachsfigurenkabinett
Das Wachsfigurenkabinett

Das Wachsfigurenkabinett

19241h 23m★ 6.4ファンタジーホラー

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Leo Birinski / パウル・レニ

脚本: Henrik Galeen

音楽: Richard Siedhoff

制作: Alexander Kwartiroff / Leo Birinski

撮影監督: Helmar Lerski

制作会社: Neptune-Film A.G.

口コミ

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キャスト

Emil Jannings
Emil Jannings
Harun al Raschid
コンラート・ファイト
コンラート・ファイト
Ivan the Terrible
William Dieterle
William Dieterle
The Poet / Assad the Baker / Russian Prince
Werner Krauß
Werner Krauß
Jack the Ripper / Spring-Heeled Jack
Olga Belajeff
Olga Belajeff
Eva-Maimune-Eine Bojarin
John Gottowt
John Gottowt
Owner of the Waxworks
Georg John
Georg John
Owner of the Panoptikums
Ernst Legal
Ernst Legal
Poison-Maker of the Czar
Paul Biensfeldt
Paul Biensfeldt
Grand Vizier

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

There is more than a little of the "Dr. Caligari" (1921) to this compendium of three stories. Visually very similar in style, with angular - seemingly disjointed and out of scale sets and wonderfully targeted use of lighting serves to augment these episodes. A waxworks provides that environment where William Dieterle works, charged with writing some texts to accompany the effigies of three historical figures. The first is a fun "Arabian Nights" tale with Emil Jannings as "Harun", the second sees Conrad Veitd portray the Russian Czar Ivan IV (the terrible), finally he embarks on a tale of "Jack the Ripper" - supplied by Werner Krauss. As he writes, he imagines that he - and the owner's daughter - Olga Beljeff - are actually part of his series. All three present them with comical and perilous escapades, the first sees Jannings unceremoniously stuffed into a baker's oven, having fallen in love with the wife of the baker; the second depicts Ivan as a megalomanic reduced to simpering dolt and the final story is left hanging intriguingly as the would be author finally succumbs to sleep. For what it's worth, my favourite is the second story - but the third one is probably the more accomplished piece of cinema. The techniques of overlaying the film to give us an haunting feeling as "Jack" stalks his victims is really quite effective - if all too brief. As three short stories, this works well and though I am certainly no expert on German cinema, this has to be one of the more enjoyable - with engaging characters and plots - "expressionism" efforts I have yet encountered.

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