マニアック
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $350,000 (1億円)
興行収入: $10,000,000 (15億円)
推定収支: $9,650,000 (14億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $350,000 (1億円)
興行収入: $10,000,000 (15億円)
推定収支: $9,650,000 (14億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: William Lustig
脚本: Joe Spinell / C.A. Rosenberg
音楽: Jay Chattaway
制作: William Lustig / Joe Spinell / Judd Hamilton
撮影監督: Robert Lindsay
**_Joe Spinell as a fudged-up murderer in New York City_** “Psycho” started a subgenre of films about mentally messed up people who go on killing sprees. For instance, the ’70s brought us movies like “Haunts,” “The Toolbox Murders,” “The Driller Killer” and “Don’t Go in the House.” “Maniac” comes in the tradition of these flicks while adding bits from the Dirty Harry franchise, “Dawn of the Dead” and “The Warriors.” It’s gritty in its depiction of the sometimes repugnant underbelly of the city, but IMHO focuses too much on the killer stalking his victims, particularly, the nurse in the subway and, later, the model in her apartment. These sequences are tedious, and I found my mind wandering. The 2012 remake with Elijah Wood in Spinell’s role transplants the events to Los Angeles and is way more creative with interesting psychological elaboration. It's also more hypnotic and you find yourself developing sympathy for the nutjob, unlike here. Notables on the feminine front include Rita Montone (hooker), Caroline Munro (Anna) and Gail Lawrence (Rita) It runs 1 hour, 27 minutes; and was shot in The Big Apple in the last three months of 1979 along with the first couple of weeks of January, 1980. GRADE: C
