FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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★ 6.2ドラマ

あらすじ

No synopsis available.

原作・関連書籍

映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。

スタッフ・制作会社

監督: Kevin Conner

脚本: Sidney Sheldon

音楽: Allyn Ferguson

制作: Norman Rosemont

撮影監督: John Coquillon / Arthur Ibbetson

制作会社: CBS Studios

口コミ

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キャスト

Fernando Allende
Fernando Allende
George Mellis
ハリー・ハムリン
ハリー・ハムリン
Anthony 'Tony' James Blackwell
Dyan Cannon
Dyan Cannon
Katherine 'Kate' Blackwell
レスリー・キャロン
レスリー・キャロン
Solange Dunas
David Suchet
David Suchet
André d'Usseau
イアン・チャールソン
イアン・チャールソン
Jamie MacGregor
Cliff DeYoung
Cliff DeYoung
Brad Rogers
Angharad Rees
Angharad Rees
Marianne Hoffman
Barry Morse
Barry Morse
Dr. John Harley
ドナルド・プレザンス
ドナルド・プレザンス
Salomon Van der Merwe

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

David Essex is quite natural looking here, as he develops his "Jim MacLaine" character established in "That'll Be The Day" (1973). Playing the odd gig here and there with his band "The Stray Cats", their roadie "Mike" (Adam Faith) manages to get them an audition with a producer. He takes a bit of a shine to them but changes the dynamic replacing the band leader "Johnny" (Paul Nicholas) with "MacLaine". Any sense of disappointment and rivalry is soon overcome - on the surface, anyway though, as the band go from strength to strength. Eventually they come to the attention of American "Porter Lee Austin" (Larry Hagman) who does a sort of Col. Tom Parker on the man, isolating him and whilst increasing his celebrity and wealth, he also exacerbates the increasing feelings of loneliness and shallowness faced by the star who thrives on the oxygen of fame but cannot readily handle it. Retreating, eventually, to a Moorish castle in Spain, it falls to "Mike" to try and keep his charge from imploding. It is not a great film this - the musical numbers are weak and rather poorly staged. That said, though, it is still a rather potent biopic of a man who became an industry for lots of venal hangers-on who cared not a jot for "MacLaine" so long as he was delivering their meal tickets. Hagman is rather good as the manipulative manager and Faith has some skill depicting the loyal, frequently fed up, friend there to constantly try to pick up the pieces. The ending does let it down a bit - I felt it was something of a cop out - but in the round it is still quite an interesting look at how money, hedonism and a good old dose of human nature can turns rags to riches to rags with no great thought, or effort!

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