アフターグロウ
あらすじ
熟年夫婦と若輩夫婦。世代の違う2組のカップルが繰り広げるダブル不倫の行方を描いたラブ・コメディ。製作は『ザ・プレイヤー』『クッキー・フォーチュン』のロバート・アルトマン。
予告・トレイラー
興行成績
興行収入: $2,465,960 (4億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
熟年夫婦と若輩夫婦。世代の違う2組のカップルが繰り広げるダブル不倫の行方を描いたラブ・コメディ。製作は『ザ・プレイヤー』『クッキー・フォーチュン』のロバート・アルトマン。
興行収入: $2,465,960 (4億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Alan Rudolph
脚本: Alan Rudolph
音楽: マーク・アイシャム
制作: ロバート・アルトマン / Ernst Etchie Stroh / Willi Bär
撮影監督: 栗田豊通
制作会社: Moonstone Entertainment / Elysian Dreams / Sandcastle 5
“Marianne” (Lara Flynn Boyle) is sexily awaiting the return home from work of her executive husband “Jeffrey” (Jonny Lee Miller) but he just mutters something about a jockstrap and shows her little interest. Exasperated, she also needs an handyman to do some household plumbing and so alights on “Lucky” (Nick Nolte). Now he is married to “Phyllis” (Julie Christie) but isn’t averse to playing away from home now and again and so, well what now ensues rather surprised me. Not because it’s very good, but because Julie Christie took part in it. For a film that’s about relationships, possessiveness and sex it’s a shockingly sterile exercise with JLM as wooden as picket fence and Nolte just not at all convincing as the sex magnet his aptly named character would have us believe. “Phyllis” is an erstwhile actress and is a classy woman too, so what she’d ever have seen in her scruffy philandering husband didn’t leap of the screen at me in the first place. The same could be said of the plausibility of the other marriage that’s unsurprisingly struggling here. Perhaps the scenario is supposed to engender empathy from those of us in marriages that have entered cruise control and that have no longer any flare in them, but I just couldn’t find anything about any of these people that I wanted to like, so I couldn’t really have cared less. I did quite like the house with all the gadgets (maybe not the blue lights) but the rest of this, save for some acerbic dialogue from Christie, just didn’t really impress, sorry.
