FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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[リミット]
[リミット]

[リミット]

20101h 35m★ 6.6ドラマスリラー謎

あらすじ

トラック運転手の男が突然何者かの襲撃に遭う。意識を失った彼が次に目を覚ました場所は、地中に埋められた棺型の狭い箱の中だった。刻一刻と酸素がなくなっていくという極限状況の中、男は必死に脱出を図る。

作品考察・見どころ

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興行成績

製作費: $1,987,650 (3億円)

興行収入: $19,152,480 (29億円)

推定収支: $17,164,830 (26億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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FindKeyのエディトリアルチームがこの作品の深層や歴史を解説しています。

通勤時間が至高の劇場に変わる!『search/#サーチ2』ほか没入感溢れる傑作映画5選

FindKey Editorial2026/2/3

キャスト

ライアン・レイノルズ
ライアン・レイノルズ
Paul Conroy
José Luis García Pérez
José Luis García Pérez
Jabir (voice)
Robert Paterson
Robert Paterson
Dan Brenner (voice)
スティーヴン・トボロウスキー
スティーヴン・トボロウスキー
Alan Davenport (voice)
サマンサ・マシス
サマンサ・マシス
Linda Conroy (voice)
Ivana Miño
Ivana Miño
Pamela Lutti (voice)
No Image
Warner Loughlin
Maryanne Conroy / Donna Mitchell / Rebecca Browning (voice)
Erik Palladino
Erik Palladino
Special Agent Harris (voice)
Kali Rocha
Kali Rocha
911 Operator (voice)
Chris William Martin
Chris William Martin
State Department Rep. (voice)

スタッフ・制作会社

監督: ロドリゴ・コルテス

脚本: Chris Sparling

音楽: Víctor Reyes

制作: Adrián Guerra / ロドリゴ・コルテス / マイケル・クリアー

撮影監督: Eduard Grau

制作会社: Versus Entertainment / The Safran Company / Dark Trick Films

TMDB ユーザーのレビュー

Andres Gomez
Andres Gomez
★ 7

Interesting and entertaining movie getting the maximum from just an actor and a coffin. However, you will feel cheated every now and then when you see how the coffin seems to enlarge and shrink.

SamySam
SamySam

I really LOVE this movie ! I love films like this and “Entrapped . A Day of Terror” , entirely shooted inside one claustrophobic location :-) only a perfect screenplay can make the film Adrenalinic and not annoying, as of course the set is on few square mq2 !

CinemaSerf
CinemaSerf
★ 7

Despite the fact that there are quite a few plot holes in this quite tautly put together drama, Ryan Reynolds might actually have turned in one of the best performances of his career, here. Perhaps that's because he awakens to find he's been buried in a big wooden box with only an hip flask, torch and his phone. He's been in Iraq driving for an American truck company when it was attacked and he's now the subject of a $5millions ransom demand. Over the next ninety minutes he has to use the phone and his wits to try to track down some phone numbers who can help find his particular hole in the ground. This, bear in mind, is before we all had GPS on our telephones - so it's quite a frantic affair as he begins to realise the dangers of his predicament. There's also quite possibly one of the most obnoxious phone calls I've ever heard between him and his ass-covering personnel director that really did have me shouting "lie, for God's sake" at the screen. This gives Reynolds a chance to ditch his pretty boy image and try to imbue his character with a degree of claustrophobic frenzy from a staring start - and I think he does it quite well. It has a sinister plausibility to it, and as to the denouement - well there's nothing straightforward about that, either. Worth a watch, I'd say.

r96sk
r96sk
★ 7

<em>'Buried'</em> mostly delivers, the ending is what makes me definitively say that I had a positive time. The film does build tension nicely, it feels claustrophobic without a doubt. It is also paced competently, impressively so given its one location setting (credit to Ryan Reynolds). The only criticism I hold is that the film makes the lead character kinda unlikeable early on, which really shouldn't be the case given it ought to be a tap-in to make you care for Paul Conroy given the plot's nature. To me, in moments, he came across more dick-y than panicked. That kinda led me down the garden path in terms of predicting how it was going to all end, one on my (half-baked) theories was that it was going to head in a <em>'Butterfly on a Wheel'</em>-esque (great movie, fwiw) direction. It didn't, of course, but the unpredictability was satisfying. I'm perhaps being harsh or was overanalysing with the unlikability factor. Either way, it doesn't really matter all that much because I still think of this in a good way post-watch. Well worth seeing.

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