FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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大混乱
大混乱

大混乱

19881h 31m★ 6.5コメディ

あらすじ

No synopsis available.

作品考察・見どころ

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興行成績

製作費: $24,000,000 (36億円)

興行収入: $43,455,230 (65億円)

推定収支: $19,455,230 (29億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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配信サービス

レンタル・購入

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キャスト

ダン・エイクロイド
ダン・エイクロイド
Roman Craig
ジョン・キャンディ
ジョン・キャンディ
Chet Ripley
Stephanie Faracy
Stephanie Faracy
Connie Ripley
アネット・ベニング
アネット・ベニング
Kate Craig
Chris Young
Chris Young
Buck Ripley
Lucy Deakins
Lucy Deakins
Cammie
ロバート・プロスキー
ロバート・プロスキー
Wally
Ian Giatti
Ian Giatti
Ben Ripley
Hilary Gordon
Hilary Gordon
Cara Craig
Rebecca Gordon
Rebecca Gordon
Mara Craig

スタッフ・制作会社

監督: Howard Deutch

脚本: John Hughes

音楽: トーマス・ニューマン

制作: Arne Schmidt / John Hughes / Tom Jacobson

撮影監督: Ric Waite / Robert C. Thomas

制作会社: Universal Pictures / Hughes Entertainment

TMDB ユーザーのレビュー

Kamurai
Kamurai
★ 4

Decent watch at best, probably won't watch again, but can recommend for those on a late-eighties nostalgia kick. Sometimes it is good to get in "The Way Back Machine" and see some of the movies that made people famous, and I liked Dan Aykroyd and John Candy. The duplicitous plot and character choices just didn't sit great with me. Having recently seen "Brother Nature", it is interesting to see a movie that could have inspired it. I think it would have been a lot better with John Candy as an overwhelmingly positive buzzkill and Aykroyd playing a family man. But Candy is sort of the family man of the late 1980s, and Aykroyd is the quintessential New York scumbag, and they do it well. I'd ultimately say it is worth the watch, but there are probably a dozen "back to nature" movies I could recommend in front of this one.

kevin2019
kevin2019
★ 5

"The Great Outdoors" is only a moderately entertaining film, although it does feature the unforgettably spectacular sight of John Candy water skiing. The grizzly bear action also works well and there is always an enthusiastic energy about this film which every member of the cast effortlessly maintains, but in terms of John Hughes's output this entry is not one of his more memorable outings and some of it does feel like miscellaneous bottom drawer material that has so far gone unused until now. He has done a reasonable job of using such material - if this indeed happens to be the case - as the basis for a mildly amusing film which is as watchable as it is because of Dan Aykroyd and John Candy. They are the ones who keep you watching even though you know everyone involved in front and behind the cameras has done so much better work elsewhere.

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