FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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インナースペース
インナースペース

インナースペース

“今度の冒険は体内探険だ!”

19872h 0m★ 6.8アクションコメディサイエンスフィクション

あらすじ

冴えないアメリカ空軍パイロットのタック・ペンドルトンは配置転換を命じられ、研究施設で特殊潜行艇クラーケンIIに乗り込んでミクロ化しウサギの体内に注入される実験の準備をしていた。潜行艇のミクロ化直後に施設が産業スパイに襲撃され、潜行艇の入った注射器を持った研究員は命からがら逃走するが追い詰められスーパーの店員ジャックの尻に潜行艇を注入してしまう。

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

製作費: $27,000,000 (41億円)

興行収入: $25,900,000 (39億円)

推定収支: $-1,100,000 (-2億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

Dennis Quaid
Dennis Quaid
Lt. Tuck Pendleton
マーティン・ショート
マーティン・ショート
Jack Putter
メグ・ライアン
メグ・ライアン
Lydia Maxwell
Kevin McCarthy
Kevin McCarthy
Victor Eugene Scrimshaw
Fiona Lewis
Fiona Lewis
Dr. Margaret Canker
Vernon Wells
Vernon Wells
Mr. Igoe
ロバート・ピカード
ロバート・ピカード
The Cowboy
ディック・ミラー
ディック・ミラー
Cab Driver
Wendy Schaal
Wendy Schaal
Wendy
ハロルド・シルヴェスター
ハロルド・シルヴェスター
Pete Blanchard

スタッフ・制作会社

監督: ジョー・ダンテ

脚本: ジェフリー・ボーム / Chip Proser

音楽: ジェリー・ゴールドスミス

制作: Jon Peters / スティーヴン・スピルバーグ / Peter Guber

撮影監督: Andrew Laszlo

制作会社: Amblin Entertainment / Warner Bros. Pictures / The Guber-Peters Company

TMDB ユーザーのレビュー

John Chard
John Chard
★ 8

Eat Me - Drink Me Innerspace is directed by Joe Dante and written by Jeffrey Boam and Chip Proser. It stars Dennis Quaid, Martin Short, Meg Ryan and Kevin McCarthy. Music is by Jerry Goldsmith and cinematography by Andrew Laszlo. A hapless hypochondriac store clerk battles to save the life of the man who, miniaturized in a secret experiment, was accidentally injected into him. The premise is of course absurd, but everyone involved knows this and proceed to entertain with a mixture of thrills, spills and a good old fashioned good versus bad value. Narrative is based around the race against time thematic as miniaturised Tuck Pendleton (Quaid) fights from within the body of Jack Putter (Short). He has to keep Jack out the hands of crooks who are after the secrets of the miniaturisation process, whilst simultaneously being on a clock before he runs out of air - or fall prey to Jack's anti-bodies system etc. Dante strings together some terrific set pieces, while the realisation of the inside of the human body is smartly staged. Cast are on hugely engaging form, with the central relationship between Quaid and Short a pure joy and mined for constant laugh and peril tactics. The dual aspect is niftily handled by Dante and his crew, with the battle within Jack's body running concurrently with Jack's battles out in the real world. What wonderful sci-fi froth this is, as Dante has a blast of a time with the effects tools to hand to take the concept of Fantastic Voyage and make a top line action comedy adventure. Great soundtrack too! 8/10

Filipe Manuel Neto
Filipe Manuel Neto
★ 7

**A funny, effective and familiar comedy that deserves to be brought back from obscurity.** This is one of those “no bones” comedies that we can watch with the whole family without any fear of embarrassing or inappropriate scenes for kids or deeply critical grandparents. It's a film from the 80s, quite dated, but that's not a problem for people like me, who actually like old films. The story is very good and revolves around an experiment that goes wrong and involves the miniaturization of a ship with a human occupant, which should be introduced into a laboratory rabbit: when the laboratory is robbed by bandits who want to steal that technology, one of the scientists escapes and ends up injecting the liquid containing the ship into the body of an inadvertent citizen. What happens next is quite hilarious. Dennis Quaid does a decent job as the ship's pilot, a daring combat aviator who volunteers for the experiment. I thought that the actor doesn't leave his comfort zone, he doesn't have a complicated task, and he just brags. Better than him, Martin Short shone as the fearful and shy man who, by chance, was dragged into that mess after being injected against his will. The actor managed to give the character an interesting evolutionary arc, where the character gradually gains more confidence and an adventurous spirit. Meg Ryan has the worst material: she just needs to be attractive and look scared. Joe Dante deserves a shoutout for the work he did on this film. He's not a director I know very well, but I think this film is in line with what he likes to do most. The film may not be the most scientifically rigorous in the world (never, I believe, has the scientific community thought of anything similar to miniaturizing objects or people), but it makes up for it with humor and an unpretentious and good-natured spirit. The effects team did an excellent job, whether in the moments in which the ship is miniaturized or in the filming inside the human organism, where the realism is well achieved.

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