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Il conquistatore dell'Oriente
Il conquistatore dell'Oriente

Il conquistatore dell'Oriente

19611h 26m★ 7.0アクションアドベンチャードラマ

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Tanio Boccia

脚本: Gianni Mauro / Mario Moroni / Tanio Boccia

音楽: Giovanni Fassino

制作: Giuliano Simonetti / Nino Misiano

撮影監督: Vincenzo Seratrice / Luciano Trasatti

制作会社: PEA / Tabos Film

口コミ

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キャスト

Rik Battaglia
Rik Battaglia
Nadir
Irène Tunc
Irène Tunc
Fatima
Gianna Maria Canale
Gianna Maria Canale
Dinazar / Zobeida
Edda Ferronao
Edda Ferronao
Fatima's Maid #1
No Image
Attilio Torelli
Leader of the Red Robes Tribe
No Image
Riccardo Ferri
Leader of the White Robes Tribe
No Image
Myriam Cordella
Fatima's Maid #2
Aldo Pini
Aldo Pini
Chief of Prison Guards
Renato Montalbano
Renato Montalbano
Paul Müller
Paul Müller
Sultan Dakar

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 4

When the evil "Dakar" (Paul Muller) seizes control of the City of the Golden Dome, he demands a whole new tranche of taxes from his already over-burdened people. One of his demands is that the young princess "Fatima" (Irène Tunc) marry him. She'd sooner shoot herself in both eyes - so she manages to escape his clutches and alights on humble fisherman "Nadir" (Rik Battaglia) with whom she falls in love. Can he save her from the agents of the nasty Sultan and maybe just lead a revolt against his tyranny? To be fair, here, the story is actually quite good - there are plenty of court intrigues and machinations, but the acting. Dear heavens but that is really poor. Battaglia is easy enough on the eye, as is Tunc, but the rest of this is little short of dreadful. The dialogue (dubbed , of course,) is straight out of a soap opera and the action scenes - there is an hilarious harem scene, but I doubt it is meant to be - are overly staged and frequently quite risible. The production budget cannot have been great, but the thing still looks ok - the costumes and sets are OK, but as the story develops it all just falls apart. The ending can't come soon enough.

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