“その怪物が喰らうのは、少年の真実━━。”
最愛の母が末期がんで余命を宣告され、ショックと不安を隠し切れない13歳の少年コナー。厳格な祖母とは反りが合わず、学校でもいじめられて孤立する彼は、ここ最近、毎夜悪夢にうなされていた。ある晩、不気味な大木の怪物が彼の前に現われ、「これから俺が3つの真実の物語を話そう。4つ目の真実の物語は、お前が話すんだ」と告げる。かくして、怪物とコナーの間で、摩訶不思議な物語が夜ごと繰り広げられることとなる。
映画化された原作や関連書籍を読んで、映像との違いや独自の世界観を楽しみましょう。
製作費: $43,000,000 (65億円)
興行収入: $47,309,313 (71億円)
推定収支: $4,309,313 (6億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: フアン・アントニオ・バヨナ
脚本: Patrick Ness / Siobhan Dowd
制作: Álvaro Augustín / Sandra Hermida / Mitch Horwits
撮影監督: オスカル・ファウラ
制作会社: River Road Entertainment / Participant / Apaches Films / La Trini / A Monster Calls / Telecinco Cinema
**An alternate way to confront the reality.** Based on the British novel, made by a well known Spanish director. This film might remind you the titles like 'Finding Neverland', 'Where the Wild Things Are', 'Neverwas' et cetera, but still it is unique. Particularly for the message it carried out. Many lines were awesome, inspiring for those whose world are crumbling down. Emotional, as well as one of the best recent children's films. The story of a boy whose mother is severely ill. He starts to have weird dreams, following, an appearance of a tree-monster from the nearby cemetery. The monster is to tell a few tales and at the end of it, he has to tell the truth about his nightmares to him. So as the days go by, it becomes more challenging to him to confront the reality. He can't run away from all, but to face it and those are the remaining narration. While being a kid, they believe every fantasy tale have narrated to them. Even a picture of those tales would influence to have an imagination in their daily life activity. This film does not hide anything from the viewers just to bring a breathtaking twist at the finale. So, you would know what's happening, but why, is the puzzle to solve. Even that is not a hard nut to crack. Though the purpose of the film is to reveal how some children cope a tragic event in their life, like perhaps the film 'Before I Wake', with misunderstanding the words said by the grown ups to them. This is really a wonderful film for kids, as well as for adults. I Hope you won't miss it. _7/10_
This is a very enjoyable tale. It's targeted to younger viewers, and therefore the characters are not at all complex. In spite of that shortcoming from an adult's POV, the overall effect is wonderful and emotional. Definitely worth the time.
**It's not a hateful or forgettable movie, but it's far from being lively or happy.** Despite its weaknesses, I confess I liked this film, and that maybe comes from the fact that it touched me personally. Being a film that is so focused on the pain of losing someone dear, on how a person faces situations of suffering and manages to digest it, it was a film that cost me a little to watch because I also lost a very dear person recently. I expected a more cheerful film with a more lively tone. That, yes, partially frustrated my expectations, and I believe that other people will also say the same. However, I cannot say that I hated what I saw. In fact, the script focuses on a young teenager who has to live his day-to-day life, at school and at home, while mentally and psychologically preparing himself for the imminent orphanhood, as his mother is very ill and, we know it, will die soon. And in the midst of all this, he ends up imagining, in a very realistic way, a big monster that comes to visit him and that forces him to deal with the feelings he is feeling, and to deal with situations, and also with a grandmother with who has relationship problems. Directed by J.A. Bayona is a relatively average film. The script is predictable, the "monster-tree" is something we've seen in other films, but it's always a good idea, especially if it's supposed to be a wise and ancient monster, as is the case here. Lewis MacDougall is the young man who will have the lead role in the film, and he does it quite well, even though the script is not very demanding on him. I also enjoyed Felicity Jones' performance, even though the actress doesn't really have much to do. And I feel sorry for Sigourney Weaver, because she's a good actress in the wrong role. It was a massive casting error, and it would have been preferable to cast a genuinely British actress in the role, rather than an American with a notoriously faked accent. Technically, the highlight obviously goes to the CGI, which is good enough and does an interesting job, especially in the scenes where the tree “awakens” to move and reveal its real appearance. I also liked the soundtrack, even if it's not the most memorable or interesting, and the cinematography, which does its job flawlessly. Liam Neeson was, once again, responsible for the voice of the monster. The actor is already a veteran of dubbing and has given voice to many fantastic characters in other films, so it was a sure bet for the production.
