No synopsis available.
AIが作品の魅力を深く読み解いています
興行収入: $6,000,000 (9億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Stanley Donen
脚本: Hugh Williams / Margaret Vyner
制作: Stanley Donen / Cary Grant
撮影監督: Christopher Challis
制作会社: Grandon Productions
Having packed their kids off for the weekend, the "Earl and Countess of Ryhall" (Cary Grant and Deborah Kerr) are looking forward to a few days of rest and recuperation in their stately pile. Not that it's exactly private as they've long since had to allow the public to wander through at half-a-crown a time. One such visitor isn't so good at obeying the rules, though, when he ignores a "private" sign and walks into her sitting room. He turns out to be an American millionaire called "Delacro" (Robert Mitchum) and he's quite a charmer. So much so that he kind of sweeps her off her feet, and though her husband's arrival cools things for a time, pretty soon she has travelled to London ostensibly to see her hairdresser and to meet her wacky pal "Hattie" (Jean Simmons), but well... Thing is, her husband isn't quite prepared to give up the ghost on his marriage and so invites this man back to their home where the most genteel of games ensues as both men vie for the affections of the Countess whilst the mischievous "Hattie" does a bit of manoeuvring of her own. The story provides for an amiable clash between old and new money, but is really about the nature of true affection and decency. There's not really anything unpredictable about the plot nor it's evolution, but seeing these four folk on screen together does remind us of just what style and star quality is. Even Mitchum keeps his tongue in his cheek and there's also an enjoyable turn from Moray Watson as the aspiring writer-cum-butler who looks upon the antics here with a sympathetic if somewhat bemused attitude. It's aptly titled and worth a watch.
