FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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本サービスはTMDB APIを利用していますが、TMDBによる推奨・認定を受けたものではありません。

ロブスター
ロブスター

ロブスター

20151h 59m★ 7.0コメディドラマロマンス

あらすじ

独身者であれば身柄を確保され、とあるホテルへと送られる世界。そこでパートナーを45日以内に見つけなければ、自身が選んだ動物に姿を変えられて森に放たれてしまう。そのホテルにシングルになったデヴィッド(コリン・ファレル)が送られ、パートナー探しを強いられることに。期限となる45日目が迫る中、彼はホテルに充満する狂気に耐え切れず独身者たちが潜んでいる森へと逃げ込む。そこで心を奪われる相手に出会って恋に落ちるが、それは独身者たちが暮らす森ではタブーだった。

作品考察・見どころ

現代の恋愛至上主義への強烈な皮肉が本作の真骨頂です。カップルか動物かという極端な設定を通じ、社会規範の歪さを冷徹な映像美で暴き出します。徹底して抑制された演出の中に、背筋が凍るような暴力性と滑稽さが同居する唯一無二の緊張感こそ、本作を傑作たらしめる最大の魅力と言えるでしょう。 コリン・ファレルが放つ悲哀と、レイチェル・ワイズの静かな実在感は圧巻です。共通点に固執する狂信的な愛の形は、現代のマッチング文化への警鐘とも読み取れます。独身の自由と伴侶を得る不自由、その境界で揺れ動く人間の本質を鋭く抉り出す、極めて知的で挑発的な一作です。

興行成績

製作費: $4,000,000 (6億円)

興行収入: $15,700,000 (24億円)

推定収支: $11,700,000 (18億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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配信サービス

サブスクリプション

U-NEXT
Cinefil Wow Plus Amazon Channel

レンタル・購入

Amazon Video
Apple TV Store
Google Play Movies
FOD

キャスト

コリン・ファレル
コリン・ファレル
David
レイチェル・ワイズ
レイチェル・ワイズ
Short Sighted Woman
オリヴィア・コールマン
オリヴィア・コールマン
Hotel Manager
レア・セドゥ
レア・セドゥ
Loner Leader
Michael Smiley
Michael Smiley
Loner Swimmer
Ariane Labed
Ariane Labed
The Maid
ジョン・C・ライリー
ジョン・C・ライリー
Lisping Man
ベン・ウィショー
ベン・ウィショー
Limping Man
アンゲリキ・パプリア
アンゲリキ・パプリア
Heartless Woman
ジェシカ・バーデン
ジェシカ・バーデン
Nosebleed Woman

スタッフ・制作会社

監督: ヨルゴス・ランティモス

脚本: Ευθύμης Φιλίππου / ヨルゴス・ランティモス

制作: Rory Gilmartin / Ceci Dempsey / Lee Magiday

撮影監督: Θύμιος Μπακατάκης

制作会社: Scarlet Films / Haut et Court / Eurimages / Lemming Film / Element Pictures / Nederlands Fonds voor de Film / Greek Film Centre / Faliro House Productions / Limp / Film4 Productions / Protagonist Pictures

TMDB ユーザーのレビュー

Reno
Reno
★ 7

> Another peculiar dystopian tale set in the future. From the director of the Oscars nominated movie 'Dogtooth'. If you are familiar with his signature movie, you will find it so good. This is not the best movie I had seen that set in the future, but like any other it was another dystopian tale. A black comedy-romance with a decent storyline, performances and overall a nice entertainer. The pace was very depressing, but I kept hooked to it for its frequent unpredictable scenes. The first act took place in a hotel which is the introduction to the odd world and the situation where the plot opens. When it moved to the 2nd half, especially after Rachel Weisz come into the frame, the entire scenario changed to atypical romance mode and kept that way till the last with a simple twist in the finale. Colin Ferrell's character was something like the one from the movie 'Her'. But not the same movie, or the theme, except the combination of the genres. It was a good movie, I enjoyed it, but not as much as others say they did. IMPO, it is a one time watch movie for its peculiarness. 7/10

talisencrw
talisencrw
★ 9

This was an odd experience, as I just recently ended a self-imposed 12-year moratorium on relationships, due to a couple of bad ones I had within a short period of time in the early 2000's. It was very intriguing to see a type of dystopia exist in which 'singledom' was so vilified to the point of actually being against the law. I would never have previously thought that such a state of events was possible, but recent trends in 'political correctedness' on the one hand and both religious and political radicalism on the other means that, sadly, nothing is impossible anymore. I thought it was a remarkable idea for a film, and both the soundtrack and cinematography were outstanding. The bizarre script and bold direction brought forth some of the best acting I have yet seen from Colin Ferrell, Rachel Weisz and John C. Reilly, as well. I'm definitely looking forward to seeing other films by this brazenly original writer/director. Long may his almost-Bunuelian take on things go forth.

mattwilde123
mattwilde123
★ 8

This was Yorgos Lanthimos' English language debut. It was really funny. All of the actors had to perform their lines straight-faced and with no emotion which is very strange at first. The screenplay and direction of the film was very intelligent and perfectly highlights the themes of the film. This film was very quirky and unique and so I really enjoyed it. ★★★★

Nathan
Nathan
★ 7

_The Lobster_ is the most awkward love story I have ever watched, but despite how off putting it was it touched me in ways I did not quite expect. The plot of this film is incredibly unique. The idea of being turned into an animal if you cannot find love is so weird in the best kind of way. I found the entire movie to be very sinister in nature, always keeping me on edge about what was to come next, and that was enhanced by the sharp orchestra playing underneath every scene. Yorgos Lanthimos wrote the entire film in a very awkward way. I understand that it was aiming for that type of sharp and poignant feel, but it just did not work for me. I could not help but wonder how much better the film would have impacted me if it felt more natural. The acting in this movie is incredible, the way that everyone could act so emotionless while still feeling genuine was fantastic, even if I did not particularly care for the style. Despite all my complaints, I still genuinely enjoyed the experience, even with its ups and downs. I am still left pondering the ending of the film and that is how a movie should leave you feeling. **Verdict:** _Good_

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