FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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真夜中のゆりかご
真夜中のゆりかご

真夜中のゆりかご

20141h 43m★ 6.6スリラードラマ

あらすじ

愛する妻と幼い息子と幸せな毎日を送っていた刑事のアンドレアスは、通報を受けて同僚のシモンと共に現場に掛け付けた一室で、薬物依存のカップルと目を覆うような育児放棄の現場を目の当たりにする。夫婦でわが子をいつくしむ日々は愛に満ちていたが、ある日思いがけない悲劇に見舞われ、アンドレアスの中の善悪の価値観が揺らいでいき……。<スサンネ・ビア監督とアナス・トマス・イェンセン脚本によるサスペンス。妻子と幸せな日々を過ごしていたが、突如思いも寄らぬ悲劇に見舞われた刑事の葛藤を、育児放棄や家庭内暴力など現代社会が抱える問題を取り上げながらスリリングに描く。>

作品考察・見どころ

スサンネ・ビア監督が放つ本作の真髄は、善悪の境界が溶解する過程を極限の緊張感で描いた点にあります。究極の選択を迫られる主人公の姿は観る者の倫理観を揺さぶり、「自分ならどうするか」という問いを突きつけます。平穏な日常が狂気へ転じる手腕は、息を呑むほどの鋭利さに満ちています。 主演のニコライ・コスター=ワルドーの凄絶な演技は、父親としての焦燥を痛みとして表現し、観客を共犯関係へ誘います。正しさが人を追い詰める皮肉な構造を、冷徹な映像美が鮮烈に浮き彫りにします。魂を激しく抉り、鑑賞後も消えない衝撃を残す重厚な人間ドラマです。

興行成績

製作費: $4,700,000 (7億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

ニコライ・コスター=ワルドー
ニコライ・コスター=ワルドー
Andreas
ウルリッヒ・トムセン
ウルリッヒ・トムセン
Simon
ニコライ・リー・コス
ニコライ・リー・コス
Tristan
May Andersen
May Andersen
Sanne
Maria Bonnevie
Maria Bonnevie
Anna
Kirsten Lehfeldt
Kirsten Lehfeldt
Julie
Peter Haber
Peter Haber
Gustav
Ewa Fröling
Ewa Fröling
Ingrid
Thomas Bo Larsen
Thomas Bo Larsen
Klaus
Bodil Jørgensen
Bodil Jørgensen
Forensic pathologist

スタッフ・制作会社

監督: Susanne Bier

脚本: Anders Thomas Jensen / Susanne Bier

音楽: Johan Söderqvist

制作: シーセ・グラウム・ヨルゲンセン

撮影監督: Michael Snyman

制作会社: Zentropa Entertainments / Zentropa International Sweden / Film i Väst / FilmFyn / DR / SVT

TMDB ユーザーのレビュー

Reno
Reno
★ 8

**When the GOOD is as bad as the BAD it become.** I was not sure about watching this film, but like usual ignoring the critics made me realise how much it was underrated. From the director of the Oscar winning film 'In a Better World'. After that great feat which ignited her international career, quite did not go well accordingly, including one project in the Hollywood. So she went back and made this Danish thriller-drama. Very strongly written screenplay, but feels it has flaws and then on its progress, they had all patched so brilliantly to make you think yourself you had got so wrong. It was not based on any book, but looks it could make one fine. This is a story of 'the good' and 'the bad', and when 'the good' turns very bad, what would 'the bad' decide to do. A decent middle class couple who can do anything for their newborn child and another couple who are drug addicts whose newborn was completely neglected. When the tragedy strike in one of these families, the nightmare begins for another. A series of events follows where they all go for an extra mile to get a second chance. So see it to believe what people are capable when they are in the desperate situation. Like the title and its tagline indicating, the narration carefully and intensely built the plot in the first act. That is the part you have to be watchful to learn the characters which is obviously a bit slower than the rest of the film. In the second half where it all turns to one direction to move on with a couple of quick twists. Totally unpredictable stuffs, because they were silly or maybe kind of familiar and you won't expect that to happen, but it does. I think that was the very clever, beside the powerful performance had brought a good balance between the pace and the contents of the film. "People look different when they are dead. That's just how it is." It did not win any big awards internationally or contended for the Oscars, but still the film is worth a watch. No matter what the critics say, this is one of the best films of the year. Like I said the story might look stupid in the paper, but the filmmakers stunning presented it on the screen. I won't be surprised if an improvised versions were made in other languages including Hollywood. After those fine progress it made in the middle part, the conclusion was somewhat ordinary. It suddenly skips a couple of years forward with one final short scene before the credits roll up which will make us feel good. That was a nice way to end after the shock the narration had given to us. From the actors, Nikolaj Coaster-Wakdau was the screenpace ruler and did not fail to deliver. If this film is winning an award means he should be on the top of the list from the film followed by the direction and screenplay. In one of the film posters he just looks alike the current James Bond, the film was a lot better than the impression the posters give. His co-stars were not bad either. There is sentiment in it, but not that effective, so the lack of melodrama is the big drawback. A theme like this should have bettered that part in order to make the overall film even better. Because the characters do not count when the subject it dealing with was has much higher priority. So the viewers always would be busy looking for what might happen to the story rather thinking its characters all the time. And that is because of the neutrality. Like I said before when 'the good' is as bad as 'the bad' it become, then everything end in an equal position and you might stop backing anyone particularly. There are many films like this, but this is kind of refreshing and very realistic. Definitely, I must end my review recommending it. So I hope you all enjoy it as I did. 8/10

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