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FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

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アナベル 死霊館の人形
アナベル 死霊館の人形

アナベル 死霊館の人形

20141h 39m★ 5.8ホラー

あらすじ

出産が近いミアは、真っ白なウエディングドレスを着た美しいビンテージ人形を夫ジョンからプレゼントされる。ある夜、二人はカルト集団の男女の襲撃を受け辛くも命は取り留めるが、人形に恐ろしい呪いがかけられてしまう。 やがて、待望の子供が生まれ二人は新生活をスタートさせるが、人形をめぐり次々と不可解な現象が起こる。

作品考察・見どころ

本作の最大の魅力は、静止した人形が放つ圧倒的な威圧感にあります。劇中で人形が動く描写は極限まで削ぎ落とされていますが、緻密なカメラワークと音響によって、観客は常に「見られている」錯覚に陥ります。無機質な造形物が心理的な揺さぶりだけで恐怖を増幅させる演出は、正に純粋なホラーの真髄と言えるでしょう。 また、母性の強さと脆さを体現したアナベル・ウォーリスの迫真の演技も見逃せません。新米の母親が抱く不安と献身的な愛が、邪悪な力に侵食されていく様は、単なる恐怖を超えた切実なドラマを構築しています。静寂の中に潜む悪意を映像美で描き出す、極上の心理的ゴシック・ホラーとして、観る者の深層心理に深く突き刺さります。

興行成績

製作費: $6,500,000 (10億円)

興行収入: $257,589,952 (386億円)

推定収支: $251,089,952 (377億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

アナベル・ウォーリス
アナベル・ウォーリス
Mia Form
Ward Horton
Ward Horton
John Form
Tony Amendola
Tony Amendola
Father Perez
アルフレ・ウッダード
アルフレ・ウッダード
Evelyn
Eric Ladin
Eric Ladin
Detective Clarkin
Kerry O'Malley
Kerry O'Malley
Sharon Higgins
Brian Howe
Brian Howe
Pete Higgins
Ivar Brogger
Ivar Brogger
Dr. Burgher
Gabriel Bateman
Gabriel Bateman
Robert
Shiloh Nelson
Shiloh Nelson
Nancy

スタッフ・制作会社

監督: John R. Leonetti

脚本: Gary Dauberman

音楽: Joseph Bishara

制作: マイケル・クリアー / Hans Ritter / ジェームズ・ワン

撮影監督: James Kniest

制作会社: Atomic Monster / New Line Cinema / The Safran Company / RatPac Entertainment

TMDB ユーザーのレビュー

John Chard
John Chard
★ 5

Tis time to move on from conduit demons. *** This review contains minor spoilers *** It doesn't have James Wan's name on the director's chair, but it's every inch a James Wan film. There seems to be a rut that has emerged where this new brand of horror film makers can't see that recycling the same ideas is, well, kinda dull. Insidious, Dead Silence and The Conjuring have their critics (not me, I like them all very much), but the timing was right for them to hit the mark of many a horror film lover. Tapping into the fear of the doll and the demon hadn't been done for some time, certainly not with any conviction, so all good there for the fans. Annabelle spins off from The Conjuring, and Dead Silence to a degree, but just comes off as a lazy cash-cow. The doll is a spooky monstrosity (most unlike the real Rag-Dolly-Anna version), but it's all a bit of a con, the makers resorting to another demonic being, only Red Darth Maul has now been replaced by Blue Lagoon The Loon. Character's actions are often preposterous, stretching credulity to breaking point (I know you are being menaced by the unknown, but I got a conference to go to, sleep tight babe!). Elsewhere, while everyone acknowledges that what scares you is subjective, but the scares here are very thin on the ground, not helped by a dull script and bland lead actors. It's tidy enough a production, granted, but familiarity breeds contempt and it's hoped that Wan's return to the director's chair for The Conjuring 2 (where we revisit the realm of poltergeist activity), signals a return to form for his horror stable. 5/10

Gimly
Gimly
★ 2

I personally am of the opinion that _The Conjuring_ was pretty overrated, but I at least I could see why some people thought it was okay. _Annabelle_ on the other hand, was never at any point anything other than hackneyed, unoriginal garbage. No saving graces to be found here. _Final rating:★ - Of no value. Avoid at all costs._

Andre Gonzales
Andre Gonzales
★ 7

The movie isn't really that scary. It's still a good movie. Just that dam porcelain doll looks creepy as hell.

r96sk
r96sk
★ 5

<em>'Annabelle'</em> disappoints, it's unexpectedly extremely uninteresting. For a 90 or so minute movie, it sure does drag its feet to its conclusion. After a decent set-up in <em>'The Conjuring'</em> for a creepy-looking doll, I thought this was going to be entertaining. It's not. Those on the cast are also a little underwhelming, not helped by what's around them of course. I know Annabelle (nice) Wallis is a better actor than shown here, same goes for Alfre Woodard; not that either are bad, but if I didn't already know them I wouldn't even be noting them to be honest. There are like two watchable moments in this, though they are literally few and far between as one's neighbourly at the beginning and the other wraps the story up. I'm possibly being a touch generous with my rating, if the run time was any longer then I'd probably not be so. Poor film.

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