FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

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★ 7.5コメディ犯罪

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Alexandre Boury / Marco Rodrigo

脚本: Sebastião Maciel / Vinícius Marques / Vinícius Vianna

制作: Roberto Talma / Flávio Nascimento / Isabel Ribeiro

制作会社: Estúdios Globo

口コミ

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キャスト

チコ・アニシオ
チコ・アニシオ
Padre Santo
Marcos Pasquim
Marcos Pasquim
Pedro Guerra / Tony Tijuana
Danielle Winits
Danielle Winits
Bárbara Palermo / Paloma Paz
Dani Valente
Dani Valente
Valquiria (Val)
Betty Lago
Betty Lago
Delegada Marta Rocha
Mouhamed Harfouch
Mouhamed Harfouch
Paulo
Miguel Nader
Miguel Nader
Carvalho
No Image
Agles Steib
Marra

TMDB ユーザーのレビュー

John Chard
John Chard
★ 8.5

Ninety years ago I was a freak. Today I’m an amateur. Time After Time is directed by Nicholas Meyer who also adapts the screenplay from a story written by Karl Alexander and Steve Hayes. It stars Malcolm McDowell, David Warner and Mary Steenburgen. Music is by Miklos Rozsa and cinematography is by Paul Lohmann. How delightful, a wonderful idea is given an equally wonderful presentation. The makers have come up with the idea of pitching Jack the Ripper against H.G. Wells, in the present day of 1979. This after the Ripper (Warner) used Wells’ (McDowell) time machine to escape the Whitechapel police back in 1891, thus forcing Wells to track the infamous killer to San Francisco in the future. There have been so many fish-out-of-water based movies over the years, it’s so refreshing to find one that has a genuinely original premise to work from. In the Ripper’s case he sees all the violence around the streets of San Fran and believes it’s his calling to be in this company. On the flip-side, Wells is perturbed to find that this is not the Utopia he had envisaged, but yet the science lover in him is fascinated by what he finds. Helps, too, that he has caught the attention of a very horny Amy Robbins (Steenburgen), who is equally fascinated by his genteel mannerisms. Naturally the fun has to stop at some point to let the suspense and darker aspects of the story come to the surface. Meyer gets the blend right, dropping in little snippets of evil as Jolly Jack, resplendent with waistcoat and money belt, goes about his bloody business, and then switching to the Wells/Amy axis as they try to build a relationship whilst trying to convince the authorities that a nutter is very much in their midst. It builds nicely, ramping up the tension considerably, and there’s always the pertinent question hanging in the air of if there is any hope for H.G. and Amy? Such is the rich characterisations and quality of story telling, we most assuredly care about the outcome to this splendid piece of time travelling cake. 8.5/10

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