Dear Diary
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
スタッフ・制作会社
監督: David Frankel
脚本: David Frankel
音楽: Wendy Blackstone
制作: Barry Jossen
撮影監督: マリス・アルベルチ
制作会社: DreamWorks Television
No synopsis available.
AIが作品の魅力を深く読み解いています
監督: David Frankel
脚本: David Frankel
音楽: Wendy Blackstone
制作: Barry Jossen
撮影監督: マリス・アルベルチ
制作会社: DreamWorks Television
An Oscar winner for best short (from the director of _The Devil Wears Prada_), and yet it seems never to have been distributed in physical form, or digital for that matter. I saw it on YouTube at https://youtu.be/Va3ieBdQjaU and you can too if you don’t mind its lousy image resolution. You probably should if you want to see a fun, quick, yet still somewhat sophisticated short. Too good for TV it seems, as it was originally a pilot that the networks passed on. I think it easily could have been a show on HBO; it reminds me of a bit of _Dream On_ if that show had a female protagonist, or _Sex in the City_ if that show didn’t suck. It deserved better then, and I think it deserves better now.
She ought to be settled in life. “Annie” (Bebe Neuwirth) is turning forty, married with two children and holds down a fairly decent job in publishing. Perhaps it’s something about her birthday that inspires her to document the next twenty four hours of her life, and that’s what she shares with us. The nature of this does mean there’s a great deal of dialogue, and even though she delivers it quite entertainingly at times I found I just got a little weary listening as her life seemed to cram in as many incidents as possible into this timeframe. Some of it is quite funny, especially as she looks at her relationship with her husband and her children, and there’s no doubt that she is a woman who sees and understands a lot of what is going on around her but it’s too contrived to stay funny, or even that interesting, for enough of a twenty minutes that seemed longer. The narration is also just a little too descriptive at times, too. We can see and what’s more we can also anticipate: we don’t need the verbals quite so relentlessly delivered. It is worth a watch; it’s different - but it misses as often as it hits.
