FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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Monkey Business
Monkey Business

Monkey Business

19521h 37m★ 6.7コメディ
U-NEXT
FOD

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

興行成績

興行収入: $2,000,000 (3億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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U-NEXT
FOD

キャスト

Cary Grant
Cary Grant
Barnaby Fulton
Ginger Rogers
Ginger Rogers
Edwina Fulton
Charles Coburn
Charles Coburn
Oliver Oxley
マリリン・モンロー
マリリン・モンロー
Lois Laurel
Hugh Marlowe
Hugh Marlowe
Hank Entwhistle
Henri Letondal
Henri Letondal
Jerome Kitzel
Robert Cornthwaite
Robert Cornthwaite
Dr. Zoldeck
Larry Keating
Larry Keating
GJ Culverly
Douglas Spencer
Douglas Spencer
Dr. Brunner
Esther Dale
Esther Dale
Mrs. Rhinelander

スタッフ・制作会社

監督: Howard Hawks

脚本: Ben Hecht / Charles Lederer / I. A. L. Diamond

音楽: Leigh Harline

制作: Sol C. Siegel

撮影監督: Milton Krasner

制作会社: 20th Century Fox

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

Cary Grant is the professor "Fulton" working for "Oxley" (Charles Coburn) on a project to find some way of turning back time and reversing the ageing process. They are experimenting with various formulae on a selection of rather agile chimps, and it's actually one of them who manages to co come up with a solution that when, inadvertently, added to the water in the cooler manages to turn the academic into a small child. He also feels a bit like a new man, too! This wears off after a short while, so he gets his wife "Edwina" (Ginger Rogers) to sit in on his next experiment - only this time he takes an even stronger dose. Except, he thinks it's his prescribed doses that are causing his youthfulness, whereas we know it's the water in the communal bottle - and that isn't anywhere near as restricted as his medication. Add to the mix, an on-form Marilyn Monroe and loads of daft baby talk and we are left with an enjoyable, if maybe just a little too repetitive, look at the child in all of us. There's a paint fight, some rubber band pranking and maybe neither Grant nor Monroe should ever have got into the car mid-way through. Coburn was always a master at the understated contribution, and here he is a perfect foil for the silliness of the plot as the story gathers pace and heads into the realms of plain screwball. Grant had comedy timing in spades, and with Rogers and Monroe showing they, too, were never far off the pace this is good fun to watch.

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