FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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クラークス2/バーガーショップ戦記
クラークス2/バーガーショップ戦記

クラークス2/バーガーショップ戦記

20061h 37m★ 6.9コメディ

あらすじ

No synopsis available.

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興行成績

製作費: $5,000,000 (8億円)

興行収入: $26,888,376 (40億円)

推定収支: $21,888,376 (33億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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キャスト

Brian O'Halloran
Brian O'Halloran
Dante
Jeff Anderson
Jeff Anderson
Randal
ロザリオ・ドーソン
ロザリオ・ドーソン
Becky
Jason Mewes
Jason Mewes
Jay
Kevin Smith
Kevin Smith
Silent Bob
Jennifer Schwalbach Smith
Jennifer Schwalbach Smith
Emma
ベン・アフレック
ベン・アフレック
Gawking Guy
Trevor Fehrman
Trevor Fehrman
Elias
Scott Mosier
Scott Mosier
Concerned Father
ジェイソン・リー
ジェイソン・リー
Lance Dowds

スタッフ・制作会社

監督: Kevin Smith

脚本: Kevin Smith

音楽: James L. Venable

制作: Scott Mosier / ハーヴェイ・ワインスタイン / ボブ・ワインスタイン

撮影監督: David Klein

制作会社: The Weinstein Company / View Askew Productions

TMDB ユーザーのレビュー

Filipe Manuel Neto
Filipe Manuel Neto
★ 6

**Despite being an improvement over the previous film, it still has a very stupid style of humor.** When I saw the first “Clerks” movie, I found it quite rude, uninteresting, based on endless and boring dialogues. And I confess that I did not expect anything better here. The film, however, managed to surprise me and give me more than I expected. The action takes place about ten years after the first film (which is correct, the sequel only appeared ten years after the original) and shows how Dante, the central character of this plot, left his hated convenience store to work in a fast food restaurant. He's still not interested in the job, and hates the place, but he's engaged to a blonde beauty who plans to take him to Florida, where her father is going to give them a home. However, whoever is destined to be a Nobody cannot expect many strokes of luck, and he will, in a single day, throw everything away. Of course, Randal, his old buddy, will take his share of the blame for what happens. If the first film failed for having no script, just a succession of intelligent but rude and uninteresting dialogues, this film corrected that flaw and gave the characters a decent story. However, decent does not mean good: although this was a great advance, the film has a huge romantic subplot that seems to have been written on a high school, because it works rather poorly and is unconvincing. Another problem with the film is the quality of most of the characters involved because almost all of them are sketchy, one-dimensional, uninteresting and some of them are just clowns who throw us jokes and more jokes worthy of a military barracks or a college dorm. This leads us to talk about humour! Thought to be the strong point of this film, the comedy is based on scatological, sexual and unhygienic humour. Jokes about poor hygiene in a restaurant or bestiality or several other sexual practices flow freely and abundantly, like a flood in a sewer after a storm. There are also references to other films (Lord of the Rings, Star Wars…), most of which not very complimentary. Anyway! This humor is not only rude, but also stupid. The actors from the previous film (Brian O'Halloran, Jeff Anderson, Jason Mewes, Kevin Smith) are back for the characters they already know and to do again what they had already done. The big improvement is really from O'Halloran, who showed a better job and talent to do something more challenging and competent. But it's Rosario Dawson who deserves the most attention: her character is convincing, likable and smarter than the rest, while still being funny when she wants to be (brain and humor go hand in hand, take note, director Kevin Smith). Ben Affleck also appears here, in a short, uninteresting and forgettable cameo. Truly pitiful is Trevor Fehrman's performance… he wasn't an actor, he didn't go beyond the most pathetic silliness.

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