FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

映画に限らず、人生のヒントを見つける場所です。

FindKeyについてロケ地 (試験中)利用規約プライバシーポリシーお問い合わせ
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モール・ラッツ
モール・ラッツ

モール・ラッツ

19951h 35m★ 6.8ロマンスコメディ

あらすじ

No synopsis available.

作品考察・見どころ

ケヴィン・スミス監督が放つ本作の真髄は、日常の会話をポップカルチャーへの偏愛で塗り固め、独自の哲学へと昇華させた脚本の妙にあります。モールという閉塞的な空間を、若者の情熱と虚無が交錯する聖域へと変貌させる演出は圧巻です。特にジェイソン・リーが体現する皮肉屋でオタク的なカリスマ性は、後のサブカルチャー映画に多大な影響を与えました。 軽妙なジョークの裏には、大人になれない世代の焦燥と、愛に対する不器用な誠実さが息づいています。実力派キャストが魅せるアンサンブルは、単なるコメディの枠を超え、青い季節の痛みを鮮やかに描き出します。偏愛を肯定し、自分らしくあることを祝福する本作のメッセージは、時代を超えて観る者の魂を熱く揺さぶり続けるでしょう。

興行成績

製作費: $6,000,000 (9億円)

興行収入: $2,122,561 (3億円)

推定収支: $-3,877,439 (-6億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

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レンタル・購入

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キャスト

ジェイソン・リー
ジェイソン・リー
Brodie
Jeremy London
Jeremy London
T.S. Quint
シャナン・ドハーティー
シャナン・ドハーティー
Rene
クレア・フォーラニ
クレア・フォーラニ
Brandi
ベン・アフレック
ベン・アフレック
Shannon
Joey Lauren Adams
Joey Lauren Adams
Gwen
Renée Humphrey
Renée Humphrey
Tricia
Kevin Smith
Kevin Smith
Silent Bob
Jason Mewes
Jason Mewes
Jay
Ethan Suplee
Ethan Suplee
Willam

スタッフ・制作会社

監督: Kevin Smith

脚本: Kevin Smith

音楽: Ira Newborn

制作: Scott Mosier / Sean Daniel / James Jacks

撮影監督: David Klein

制作会社: Gramercy Pictures / Alphaville Films / View Askew Productions / Universal Pictures

TMDB ユーザーのレビュー

JPV852
JPV852
★ 8

Only the second time seeing this (last was probably in the early 2000s on DVD) and thought it was okay but guess like others, this has grown on me. Laughed throughout even when the dialogue wasn't the greatest, but I have an appreciation for sarcasm so I gravitated towards Jason Lee's character the most. Not quite sure it's on the level of Clerks or Chasing Amy (have to re-visit those) but a solid comedy. **3.75/5**

Filipe Manuel Neto
Filipe Manuel Neto
★ 4

**A comedy full of absurd jokes, which could work better if they weren't so aimed at niche audiences that most people don't really belong to.** From the same hand that gave us “Clerks” (director and screenwriter Kevin Smith) came this bizarre comedy, centered on two teenagers who have just lost their girlfriends. It is already known that we are going to see a film that is, to say the least, unorthodox and full of light-hearted jokes, allusions to pop culture and elements that would be easy to identify for the youth of the time. Maybe that's why the humor hardly works clearly: I could still understand most of the jokes minimally but, for example, I don't know anything about comics and all the jokes about that are unintelligible to me. I believe the same thing happens to a lot of people: we are not part of the target audience and the feeling is that of a somewhat dated, niche film that has not aged very well. The script has its moments: there are several conflicting plots, some of which (the boy obsessed with a painting where everyone sees a sailboat, for example) are very stupid and seem out of context. In fact, there seems to be no possible context for them! The same cannot be said about the main plots of the two couples at odds. We can say that they are absurd, but this is normal in the case of a movie that uses absurdity for a jocular purpose. For the rest, and even considering that I've seen better, it's not a film that I can say I hated seeing, although I don't intend to see it again. Claire Forlani, very young and beautiful, plays her role with panache alongside Jeremy London, Shannen Doherty and Jason Lee, three young promises who would not have a bright future as actors, even though they remain active and working. It's fair to say that everyone made their own effort and left a positive mark, but it's not fair to forget Stan Lee's contribution, in a very honorable special appearance, and the work developed by Ben Affleck, Michael Rooker, Jason Mewes and Kevin Smith. It's one of those films where the auxiliary cast has almost as much weight and relevance to the final product as the four protagonists. In fact, a large part of what makes the film work after so many years is, precisely, the quality of the characters and the way they manage to please us.

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