女ドラキュラ
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $278,380 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $278,380 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Lambert Hillyer
脚本: Garrett Fort / R.C. Sherriff / Bram Stoker
音楽: Heinz Roemheld
制作: E.M. Asher
撮影監督: George Robinson
制作会社: Universal Pictures
Possibly there are more things in heaven and Earth than are dreamed of in your psychiatry, Mr. Garth. Five years after Universal launched a Bela Lugosi inspired Dracula upon the film loving world, the sequel arrived - only not with Lugosi's Count Dracula in it. Pic picks up at the end of the 31 film and finds Von Helsing (yes Von, not Van) under arrest for the slaying of the toothy vampire. Enter Contessa Marya Zeleska, who sets in motion the wheels of vampiric legends and torrid passions about to be exposed. There's an ethereal low-key mood to Dracula's Daughter, exuding the sort of atmosphere that Val Lewton would hone and trademark within six years. It's a beautifully photographed movie (George Robinson), while there's some neat touches in the screenplay - such as lesbian overtones and the fact our vampire lady is very sympathetic due to her searching for a cure to her ills. However. The play is over talky and very bloodless, it's like the makers forgot to actually put some horror aspects into the piece. There's also an odd blend of humour and drama which never sits right, while the ending is abrupt and disappointing. It's a nice film, a nice production, but nice is a word that really shouldn't be on your lips given the history of the source materials. 6/10
