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My Son, My Son!
My Son, My Son!

My Son, My Son!

19401h 56m★ 4.0ドラマロマンス

あらすじ

No synopsis available.

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Charles Vidor

脚本: Lenore J. Coffee / Howard Spring

撮影監督: Harry Stradling Sr.

制作会社: Edward Small Productions / United Artists

口コミ

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キャスト

Madeleine Carroll
Madeleine Carroll
Livia Vaynol
Brian Aherne
Brian Aherne
William Essex
Louis Hayward
Louis Hayward
Oliver Essex
Laraine Day
Laraine Day
Maeve O’Riordan
Henry Hull
Henry Hull
Dermot O’Riordan
Josephine Hutchinson
Josephine Hutchinson
Nellie Moscrop Essex
Sophie Stewart
Sophie Stewart
Sheila O'Riorden
Bruce Lester
Bruce Lester
Rory O'Riorden
Scotty Beckett
Scotty Beckett
Young Oliver
No Image
Brenda Henderson
Young Maeve

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

"William" (Brian Aherne) is the working man made good and is determined to see that his young son has all of the things that he didn't have growing up. The best of clothes, housing, eduction - and it all creates the rather miscreant creature that is "Oliver" (initially played well as a rather odious child by Scotty Beckett, then by Louis Hayward). He values nothing, takes for granted everything he has and gradually, as he gets older, hurts and alienates just about everyone. The only people who seem to be able to see through his façade, and who care enough to try and help are "Livia" (Madeleine Carroll) and the flighty, love-struck, young "Maeve" (Laraine Day) but will it all be too little too late for this increasingly self-destructive fellow? The story is interesting and illustrates the dangers of spoiling a child, but somehow the character of the father is just too soft. Too trusting and forgiving. This is a man who came up the hard way and though clearly he wants better for his child, his character is so weak as to frequently come across as implausible. The one staple in all of this is the friendship between "William" and his lifelong friend "Dermot" (Henry Hull) which becomes more important as the penny drops that young "Oliver" looks like a lost cause. There's no stopping cringing every time "Day" breaks into her Irish scent - it could strip paint, and as the story lumbers on I felt it all dragged down in a wordy dialogue and a paucity of pace or development. Like it's stuck in treacle, it seems to lose it's way until we are rescued by the War. Hayward is good, the story is solid - but the film struggles.

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