ザ・デクライン
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $100,000 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $100,000 (0億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
Though I both am neither a punk aficionado (I have seen X live in Detroit in 2008) nor an expert on Spheeris' films (I have seen and enjoyed both 'Wayne's World' and 'Little Rascals'), this was very satisfying. The energy and spirit of these rebellious youths really comes across well, and the clever assertion from one of the interviewees that punk is simply another form of folk and protest music, albeit with different instruments and at a faster speed, rings true. Though I'm not privy to the Los Angeles scene (I'm from Windsor, Ontario, for crying out loud), it appears to be quite an accurate depiction, although it doesn't seem to grab hold, perhaps, of the underground movement. Seeing this, I look forward to the latter two parts of the trilogy, and only wish over the years that Spheeris had expanded her sights, and made documentaries of other, vital, forms of music in L.A., such as folk, hip-hop, rap, jazz, classical, experimental, even soundtrack work for films, since Hollywood is right nearby, and as someone already part of the filmmaking scene, she would have had access to some of the greats of our time.
