ある日、連絡が途絶えていた妹から奇妙な手紙を受け取ったパトリック。彼は過激な取材スタイルのVICE社のサムとともに、とある共同体へと潜入取材を敢行する。「エデン教区」と名付けられたその場所は皆幸せそうに暮らしており、妹も無事だった。彼女は、ここで豊かな生活ができるのは“ファーザー”のおかげだと話す。しかし、平和に見える＜地上の楽園＞だったが、不可解な空気が見え隠れし始める。彼らは取材を装い、妹を救い出そうとするのだが…。
AIが作品の魅力を深く読み解いています
製作費: $4,000,000 (6億円)
興行収入: $9,221 (0億円)
推定収支: $-3,990,779 (-6億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: タイ・ウェスト
脚本: タイ・ウェスト
音楽: Tyler Bates
制作: Molly Conners / Jacob Jaffke / Peter Phok
撮影監督: Eric Robbins
Generous 3.0 here. I really like Ti West. House of the Devil was awesome, and Innkeepers is one of my favorite horror movies from the past few years. Knowing about the Jonestown massacre makes this one extra-creepy, and the short running time works in its favor. Gene Jones slays. Too many missteps though. The Vice angle is the only excuse I can think of for using music (they score/soundtrack their docu-shorts, I'm pretty sure) and it makes the found-footage thing way too plastic. Maybe it's just me but I can't stand pretty much any kind of "Be careful out there boys: you wouldn't wanna walk into the wrong place..." horror trope dialogue. Most everything here is coming from a good place; you can tell Ti West really cares about what he does (tho never moreso than with Innkeepers), but this probably needed more time to simmer/bubble around in his head. Can't help but notice it's his first movie produced by Eli Roth. I have this vision of them meeting a few months before production, getting drunk in Eli's apartment and coming up with the idea. Still better than most horror movies churned out
