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The Divided Heart
The Divided Heart

The Divided Heart

19541h 29m★ 6.7ドラマ

あらすじ

No synopsis available.

作品考察・見どころ

戦後ヨーロッパを舞台に、善悪では断じきれない愛の衝突を描いた傑作です。育ての親と産みの親、それぞれの献身が激突する様は、血縁か絆かという正解のない問いを観る者に突きつけます。戦争が残した残酷な宿題を、冷徹な法廷劇ではなく、震えるような人間愛の物語へと昇華させた演出が、深い感動を呼び起こします。 主演二人の魂が共鳴する演技は、まさに圧巻です。慈愛と執念が入り混じる感情を静謐な映像美が捉え、過酷な運命に立ち向かう人間の気高さを浮き彫りにしています。愛の深淵を真っ向から描いた本作は、鑑賞後も消えない問いを心に刻みつける、真に力強い映像体験を約束してくれるでしょう。

スタッフ・制作会社

監督: Charles Crichton

脚本: Jack Whittingham / Richard Hughes

音楽: Georges Auric

制作: Michael Truman

撮影監督: Otto Heller

制作会社: Ealing Studios

口コミ

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キャスト

Cornell Borchers
Cornell Borchers
Inga
Yvonne Mitchell
Yvonne Mitchell
Sonja
Armin Dahlen
Armin Dahlen
Franz
アレクサンダー・ノックス
アレクサンダー・ノックス
Chief Justice
Geoffrey Keen
Geoffrey Keen
Marks
Liam Redmond
Liam Redmond
First Justice
Eddie Byrne
Eddie Byrne
Second Justice
Theodore Bikel
Theodore Bikel
Josip
Pamela Stirling
Pamela Stirling
Mlle. Poncet
Martin Stephens
Martin Stephens
Hans

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

A knock at their door one evening throws the lives of "Inga" (Cornell Borchers) and husband "Franz" (Armin Dahlen) into turmoil. It's a woman from the post war child repatriation division there to try and establish where they got there son "Toni" (Michel Ray) from. They assure her they adopted him legally but after a few rudimentary questions they inform them that his mother "Sonja" (Yvonne Mitchell) wants him to live with her. A court must decide what happens next, and for the remainder of the film we watch as both the "bread" mother and the "blood" mother must metaphorically fight it out. It's delicately portrayed making it quite distressing to watch at times. The three judges - Alexander Knox, Liam Redmond and Eddie Byrne listen carefully and compassionately and as the case unfolds we, like them, realise that there can be no clear winners here - unless it's the ten year old boy who knows little of his wartime life in Slovakia but only of his current life with his new German parents. Perhaps he could decide? He's very young, though - is he competent to make such a choice? Charles Crichton directs with sympathy and he uses Geoffrey Keen quite effectively as a character trying to broker the best from a bad scenario - even if the process is really about securing the best for "Toni". There's a paucity of dialogue here, most of the scenario being presented as objectively as possible allowing us to make our own evaluation. It's touching and exposes a wartime topic not often addressed in cinema.

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