イーダ
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Overview
1960年代初頭のポーランド。孤児として修道院で育てられた少女アンナ（アガタ・チュシェブホフスカ）は、ある日院長からおばの存在を知らされる。興味を持ったアンナは、一度も面会に来たことのないおばのヴァンダ（アガタ・クレシャ）を訪ねるが、そこで彼女の口から出た言葉に衝撃を受ける。“あなたの名前は、イーダ・レベンシュタイン。ユダヤ人よ。”突然知らされた自身の過去。私は何故、両親に捨てられたのか？イーダは自らの出生の秘密を知るため、ヴァンダとともに旅に出る……。ホロコーストの悲劇、共産主義の抑圧など、歴史の波に翻弄された戦後ポーランドの光と影をリリカルなタッチで描く。
製作費: $1,000,000 (2億円)
興行収入: $15,298,355 (23億円)
純利益: $14,298,355 (21億円)
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A beautifully shot story about a young woman who was abandoned to the church as a baby and is now about to take holy orders. Before she fully commits, however, she decides to trace her birth family. Agata Trzebuchowska ("Anna") alights on her aunt Agata Kulesza ("Wanda") - a former pillar of the post war Polish communist legal establishment, but now a rather dissolute character prone to drinking and one night stands, to help her find the truth. Her family story has some grisly history to it, but together they travel their country in search of some answers. En route, they pick up a hitchhiker "Lis" (David Ogrodnik) who (genuinely) plays tenor sax in a band that has a gig in their hotel with with whom she bonds - after a fashion - until their search is concluded and yet more tragedy strikes our novice nun. This film is wonderfully enigmatic - it is quite difficult to date; the script is taut but sparing; the monochrome effects render it an atmosphere all of it's own and despite the inevitability of the whole thing, there is still a degree of optimism and sincerity seeping through the prevailing timbre of sadness.
