“強烈無比の迫力! 群画を圧する今世紀最大の豪華巨篇!!”
ヨーロッパ各地でスピードに命をかけるＦ１ドライバーたちを、迫力のレースシーンとともに描くジョン・フランケンハイマー監督の超大作。三船敏郎の出演も話題となった。
AIが作品の魅力を深く読み解いています
製作費: $9,000,000 (14億円)
興行収入: $20,800,000 (31億円)
推定収支: $11,800,000 (18億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
Frankenheimer's F1 Epic is Grand in Itself. In truth the plot of Grand Prix is pretty wafer thin, with not enough story to fully justify the gargantuan run time, yet it's both thrilling and fascinating all the same. Plot essentially centers around the 1966 Formula 1 motor racing championship, with James Garner, Yves Montand, Brian Bedford, Eva Marie Saint and Toshiro Mifune heading up the large ensemble cast list. It deals with the trials and tribulations of the drivers, both on and off the track. The human drama is a bit soapy, of which there is much, yet these narrative characterisations help to make us care and understand the protagonists at the core of the story. And of course when the drivers are out there on the track, we know their psychological make-ups, their driving mirroring their motives and emotional fortitude. The racing segments are superbly filmed by Frankenheimer, with multi-angles used to maximise the experience, while he also uses split screen sections to fully immerse us with the key characters. Two crash sequences are genuinely heart stopping, filmed with a clarity that makes us realise that people actually do die in this sport. While the sound work and editing is quite simply stunning. See it on the biggest screen you can, and for home formats get the best possible disc available. 8/10
