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The National Health
The National Health

The National Health

19731h 38m★ 6.8コメディ

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

AIが作品の魅力を深く読み解いています

スタッフ・制作会社

監督: Jack Gold

脚本: Peter Nichols

音楽: Carl Davis

制作: Terry Glinwood / Ned Sherrin

撮影監督: John Coquillon

制作会社: Virgin Films

口コミ

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キャスト

Lynn Redgrave
Lynn Redgrave
Nurse Sweet / Nurse Betty Martin
Colin Blakely
Colin Blakely
Edward Loach
Eleanor Bron
Eleanor Bron
Mr. Carr / Senior Surgeon Boyd
Donald Sinden
Donald Sinden
Mr. Carr / Senior Surgeon Boyd
Jim Dale
Jim Dale
Barnet / Dr. Neil Boyd
ボブ・ホスキンス
ボブ・ホスキンス
Foster
David Hutcheson
David Hutcheson
Mackie
Mervyn Johns
Mervyn Johns
Rees
Bert Palmer
Bert Palmer
Flegg
Clive Swift
Clive Swift
Ash

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

I think this must have worked better on stage, for once it hits the big screen it really only comes across as a slightly more earnest, lightly politically charged, “Carry On” or “Doctor at…”, concept with shades of the “Likely Lads” added for good measure. Hospitals always did provide very fertile territory for a sitcom, and here the pithy dialogue goes some way to raising a laugh. The characterisations are, however, all a bit two-dimensional - though that does work rather better when we are watching their own television parody of American medical soaps starring the same actors with some truly dreadful accents. In some ways that attempt at allegory does work. The well funded and slick operation (no pun intended) of the fictional US scenario contrasts quite starkly with it’s “real” UK equivalent, set in a run down London hospital where recycling was popular by necessity rather than environmental friendliness. The NHS is one of those things we Brits call a “National Treasure”, but this film seems content to downplay it’s achievements and it’s significance as one of the world’s oldest and biggest healthcare services that is free at the point of access. I didn’t really love the acting, if I’m honest. Clive Swift’s quirky and observant “Ash” maybe stole the show, but otherwise it has a distinct ring of the “ Carry On” cast-off about it with Donald Sinden and Jim Dale hamming it up annoyingly. Perhaps I just wasn’t in the mood, or maybe it was just of it’s time when a nation still laughed at “Steptoe” and “Alf Garnett”, but it’s a film that is rarely screened nowadays, and it’s not hard to understand why.

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