FindKey

FindKeyは、100万件を超える映画・ドラマ作品、そして数百万人の人物データと独自の16類型CTI診断を統合した、日本初の感情特化型映画レコメンドエンジンです。

Find (見つける) + Key (鍵・正解)

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ラスト・ワールド

20131h 47m★ 6.0ドラマファンタジーサイエンスフィクションスリラー

あらすじ

インドネシア・ジャカルタのインターナショナルスクールで、卒業を直前に控えた生徒20人に特別な課題が出される。それは核爆発により荒廃した世界で、10人分のシェルターに入る人間を20人の中から選び出すというもの。科学者や軍人などの職業が与えられ、仮想終末世界での討論が繰り広げられる状況で、仮想と現実の境界線がはっきりしなくなり、やがて生死を左右する戦いへと発展していく。

作品考察・見どころ

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興行成績

興行収入: $1,770,376 (3億円)

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口コミ

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予告・トレイラー

キャスト

ジェームズ・ダーシー
ジェームズ・ダーシー
Eric Zimit
Sophie Lowe
Sophie Lowe
Petra
Rhys Wakefield
Rhys Wakefield
James
ボニー・ライト
ボニー・ライト
Georgina
Daryl Sabara
Daryl Sabara
Chips
Abhi Sinha
Abhi Sinha
Kavi
Freddie Stroma
Freddie Stroma
Jack
Katie Findlay
Katie Findlay
Bonnie
George Blagden
George Blagden
Andy
Jacob Artist
Jacob Artist
Parker

スタッフ・制作会社

監督: John Huddles

脚本: John Huddles

音楽: Nicholas O'Toole / Jonathan Davis

制作: George Zakk / Cybill Lui / John Huddles

撮影監督: John Radel

制作会社: SCTV

TMDB ユーザーのレビュー

tmdb28039023
tmdb28039023
★ 1

I've watched a lot of dumb movies, but never had I seen one that defends the notion of 'ignorance is bliss' as zealously as After the Dark. Director John Huddles sets the action, such as it is, at an international school in Jakarta; specifically in Mr. Zimit's (James D'Arcy) class. Zimit's is ostensibly a philosophy class, but it might as well be called 'Exposition 101'. “Do we feel like recapping some of our favorite thought experiments?,” Zimit asks rhetorically on the last day of school to his 20 students, some of whom proceed to do exactly that, also explaining what each experiment consists of. Now, a classroom is as good a place for an Info Dump as you’ll ever find, but this feels like something more appropriate for the first day of school, not the last; this unfortunate timing turns this into a transparent case of As You Know. Anyway, someone mentions the infinite monkey theorem: “if you put a monkey at a typewriter and let him bang away at it forever, he'll eventually, almost surely, completely randomly type out the entire play of Hamlet, word for word.” I'd make the obvious joke about how that’s the way this movie was written, except I'm convinced a monkey could do a much better job, and it wouldn't take forever either. All of this is just a preface to Zimit's own thought experiment, which is a mix of Survivor, Big Brother, and Dungeons & Dragons. Basically, there is a fallout shelter with a capacity of ten people and the class must decide which ten go in and which 11 — counting Zimit — are left out, based on the fictional professions that Zimit randomly assigns them. This exercise is done thrice, and the repetition only succeeds in highlighting how stupid the movie and its characters really are. For example, Zimit states about the shelter’s inhabitants that “They cannot share oxygen. Every cubic centimeter of breathable air here, once the outer door is sealed, comes from these compressed tanks. This place has been designed to hold 10 people for a year; one more person means death from hypoxia” (to save time, everyone pictures the exact same shelter). Additionally, the specifications established in the first exercise carry over into the second and third; e.g., the code to open the shelter door at the end of the year is always the same number. Despite this, the class decides that "we need a pregnancy as soon as possible ... produce a healthy baby during the course of the year of confinement" because "having children becomes the No. 1 job after the apocalypse." Guys, have you already forgotten that "one more person means death from hypoxia"? These characters are nowhere near as smart as Huddles would have us believe, especially James (Rhys Wakefield), boyfriend of Petra (Sophie Lowe); when it becomes apparent that she and Zimit are going to have to repopulate the planet by themselves, James reacts as if they are actually going to have sex (a reaction that makes no sense even within the simulation, considering he’s supposed o be gay in it). Fortunately for James, Petra likes them dumb, and to this preference is that we owe everything we see here; Zimit, with whom Petra has been cheating on James, believes "he's not smart enough for you." Thus, the whole thing is just a juvenile attempt to expose James’s lack of intelligence, which in turn doesn’t speak very highly of Zimit’s own cranial capacity. This Petra is something else, by the way; first she plays with Zimit's feelings, and then gets offended that he, philosophy professor and all, is still as human as the next guy and takes her stringing him along personal. From what we see of James, he wouldn't react much more maturely if he found out about Petra's duplicity, but she rationalizes keeping the truth from him thus: “Punishing [James] doesn't make sense because he doesn't know about us. I'm not sure he needs to know. Especially after how you behaved today.” How she has behaved, however, doesn’t trouble her in the least. All things considered, After the Dark's message is that “being smart isn't everything,” which is exactly what a fool would say. What else is there apart from intelligence? Physical beauty fades, and sense of humor can only take you so far. I, for one, would never date a person who thought this movie is any good at all.

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