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黒蘭の女
黒蘭の女

黒蘭の女

19381h 43m★ 7.0ドラマロマンス

あらすじ

No synopsis available.

予告・トレイラー

作品考察・見どころ

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興行成績

製作費: $1,250,000 (2億円)

※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。

スタッフ・制作会社

監督: William Wyler

脚本: ジョン・ヒューストン / Robert Buckner / Abem Finkel

音楽: Max Steiner

制作: William Wyler / Hal B. Wallis

撮影監督: Ernest Haller

制作会社: Warner Bros. Pictures

口コミ

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キャスト

ベティ・デイヴィス
ベティ・デイヴィス
Julie Marsden
Henry Fonda
Henry Fonda
Preston Dillard
George Brent
George Brent
Buck Cantrell
Margaret Lindsay
Margaret Lindsay
Amy Bradford Dillard
Donald Crisp
Donald Crisp
Dr. Livingstone
Fay Bainter
Fay Bainter
Aunt Belle Massey
Richard Cromwell
Richard Cromwell
Ted Dillard
Henry O'Neill
Henry O'Neill
General Theopholus Bogardus
Spring Byington
Spring Byington
Mrs. Kendrick
John Litel
John Litel
Jean La Cour

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

This starts off really strongly with the arrival, on horseback, of the feisty "Miss Julie" (Bette Davis). She is the rather proud orphaned daughter of a wealthy southern family whom everyone wants to know and be seen with - even if she is a bit of a pain in the neck. It's "Dill" (a rather charmless Henry Fonda) who is the front runner for her rather vain affections but he is no push-over. Her desire to inappropriately wear a red gown to a formal ball initially elicits his reluctant support as he escorts her, but then the ensuing fallout ensures he flees leaving her alone and determined - to get him back. The onset of the plague forces her to flee to their plantation and he ends up there too - but with a significant complication. With her normally ordered life all askew, "Miss Julie" has to think, perhaps for the first time, not just about herself. I'm afraid, though that this film was just bit too much of a soap for me. Though Davis has loads of beans at the outset, the story rather manoeuvres us into a rather predictably sentimental cul-de-sac that's slightly cluttered up by the rather obnoxiously cocky "Buck" (George Brent). Donald Crisp and Spring Byington provide a bit of ballast now and again, but I just found this all rather disappointingly flighty and thin. A frustrated love story, yes - but I just needed much more of our original "Jezebel" and less of what her character became. I saw this very recently on a big screen and it is still, despite my reservations, a fine example of thoroughly well presented and opulent cinema with a star who very much owns the screen.

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