“｢真実｣は―語りつくせないドラマを生んだ。”
19世紀末、ロンドン。医師トリーブスは、街の見世物小屋で象人間と呼ばれていたジョン・メリックに出会う。研究のために彼を病院で生活させるが、やがてメリックの知性と純粋な心に触れ、人間らしい交流が生まれる。＜19世紀末に実在した奇型の青年の数奇な運命と、彼をとりまく人々との交流を描き世界的に大ヒットした不朽の名作。鬼才デイヴィッド・リンチは本作の成功で一躍脚光を浴びた。出演には、本作で英国アカデミー賞主演男優賞に輝いたジョン・ハート、アンソニー・ホプキンス、サー・ジョン・ギールグッドら＞
AIが作品の魅力を深く読み解いています
製作費: $5,000,000 (8億円)
興行収入: $26,000,000 (39億円)
推定収支: $21,000,000 (32億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: デヴィッド・リンチ
脚本: デヴィッド・リンチ / Christopher De Vore / Eric Bergren
音楽: John Morris
制作: Jonathan Sanger / Stuart Cornfeld / メル・ブルックス
撮影監督: Freddie Francis
制作会社: Brooksfilms
_**The ultimate outcast**_ In 1884 London, a doctor (Anthony Hopkins) meets Joseph Merrick, aka The Elephant Man (wrongly called John Merrick in the film) who was being exploited as a freak show attraction. Treves (Hopkins) tries to help Merrick (John Hurt) for the last six years of the latter’s life wherein he becomes cultured, but he inevitably remains an object of curiosity, to high society as well as low society. Anne Bancroft plays a winsome entertainer who is warm toward Merrick. Directed by David Lynch and shot in B&W, “The Elephant Man” (1980) is a melancholic biographical movie, and understandably so, but Merrick’s story is worth checking out despite the fact that it inspires pity. It calls into question the concept of beauty: Natural beauty is something one is born with and did nothing to acquire, but so is physical unattractiveness. Then there’s inner beauty. The charismatic actress (Bancroft) displays both. Of course there’s also inner ugliness, like the carnival huckster. A myth developed about Merrick’s disfigurement that his mother was raped by an elephant, probably started by sideshow hawkers. The opening conveys this in an artistic manner, but it’s not to be taken literally, which is why it’s surreal. Meanwhile the factory scenes with the pipes and corresponding dangers exhibit the reality for workers in Victorian times. The score by John Morris is noteworthy with one piece being ripped-off for the moving parts of “Platoon” (1986), e.g. Elias’ melodramatic death scene. The film runs 2 hours, 4 minutes, and was shot entirely in London and nearby Shepperton Studios, just west of the city. GRADE: B
Saw this, recently up-converted to 4K at the London Film Festival and, apart from the clear improvements to the quality and detail of the image, I was reminded of just how good it is. Anthony Hopkins and Anne Bancroft play their roles with engaging sincerity - very ably supported by Sir John Gielgud and Dame Wendy Hiller. Prosthetics aside, John Hurt captures both the despair and optimism of Merrick with empathetic style; and Freddie Jones is just downright evil as "Bytes". His son Toby was at the screening and I couldn't help but wonder when he watched this portrayal by his father whether the pride in the performance must have been tempered by a disgust in the character, itself!! This film doesn't seem to do the rounds very often, nowadays, but it holds up very well after almost 40 years and is really a gem.
