

アンフィニッシュ・ライフ
あらすじ
No synopsis available.
作品考察・見どころ
AIが作品の魅力を深く読み解いています
興行成績
製作費: $30,000,000 (45億円)
興行収入: $18,618,284 (28億円)
推定収支: $-11,381,716 (-17億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。


No synopsis available.
AIが作品の魅力を深く読み解いています
製作費: $30,000,000 (45億円)
興行収入: $18,618,284 (28億円)
推定収支: $-11,381,716 (-17億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: ラッセ・ハルストレム
脚本: Mark Spragg / Virginia Korus Spragg
音楽: Deborah Lurie
制作: Graham King / Meryl Poster / Michelle Raimo Kouyate
撮影監督: オリヴァー・ステイプルトン
制作会社: Miramax / Revolution Studios / Initial Entertainment Group / The Ladd Company / Kalis Productions GmbH & Co. Zweite KG / Persistent Entertainment / Unfinished Films
I enjoyed watching this movie. It has the high quality I would expect from the director of What’s Eating Gilbert Grape, another movie that relies on a solid story and good acting to carry it through. The actors top to bottom are as good as they need to be. I especially like that the girl wasn’t turned into one of those witty, smart-mouthed sitcom brats you often see. The character is fairly serious and a few times comes out with an observation that is meaningful and believable. Like the comment to her grandfather that an old boyfriend of her mother only hit her Mom with words, like he did. In some ways the story was predictable and the abusive boyfriend was almost just a stereotype. Then again, the reason we have cliches and stereotypes is that they are common in real life, but they could has shown a greater imagination in presenter atheist woman beater, for example. Still, it is a movie worth watching, if not memorable or worth multiple viewings.
**_“How painful are honest words!”_** Shot in the spring & early summer of 2003, this sat on the shelf for over two years before finally being released in September, 2005. The script was written by Mark Spragg & his wife Virginia, which was published as a book the year after shooting completed. The Spraggs married Redford’s “The Horse Whisperer” with “Of Mice and Men” (think Crooks living in the stable). There are also bits of Jennifer Lopez’ “Enough.” It’s not as good as “The Horse Whisperer” or “Of Mice and Men,” but it’s still worth checking out if you like those movies or “A River Runs Through it” and “Legends of the Fall.” Redford was 66 during shooting and still lean, as well as formidable. Morgan Freeman was likewise 66. A couple of fragments of eye-rolling LIEberal talking points show up in the dialogues, but they’re so fleeting they’re not worth mentioning. Looking past that, there are quality life lessons that never get old amidst occasional predictableness. It runs 1h 47m and was shot in in British Columbia in Ashcroft, Savona, and Kamloops, which are located a 4-hour drive northeast of Vancouver on the other side of the Coast Mountains. GRADE: B/B-