光あるところに、漆黒の闇ありき。 古の時代より、人類は闇を恐れた。 しかし、暗黒を断ち切る騎士の剣によって、人類は希望の光を得たのだ───。 人間の邪心に取り憑き、人々を脅かす魔獣「ホラー」と、ホラーから人々を守りし者「魔戒騎士」「魔戒法師」との戦いを ド派手なアクションとCGで描いた「牙狼＜GARO＞」シリーズ。 10年の歴史を迎えた本シリーズの原点である、初代TVシリーズ「牙狼＜GARO＞」がHDリマスターとなって甦る！ よりクリアで高画質に生まれ変わった伝説を見逃すな！
AIが作品の魅力を深く読み解いています
A want-to-be epic story that fails quite miserable. Excessively long and not well edited with tons of meaningless scenes and quite a bad positioning of the camera which outcomes in wrong lightning and shadows from the filming team. The best is its soundtrack, by far.
Despite having quite a formidable, international, cast - this is really a rather plodding history that's really only memorable because of the Ernest Gold score. The story all centres around a group of Jewish immigrants who are stuck in British-mandated territory and they want to get to Israel. Luckily for them, "Ari" (Paul Newman) is on hand and using a combination of British indifference, politics and guile manages to get them onto a boat and on to their promised land. Thing is, once they get there and try to stand on their own two feet (collectively) they realise that they are quite literally surrounded by hostility. There's even the odd aspect of that from the factions within their own communities as their struggle for independence becomes as much one to survive. The history of this time is fascinating, especially as it's probably not a great deal less lively sixty years on, but the way this chronology unfolds is really wordy and pedestrian. It's clearly a bit of a labour of love for Otto Preminger, but that enthusiasm just isn't contagious as almost 3½ hours really does lumber along in a stop-start manner that makes it difficult to get involved with. The same s truly of the characterisations whom, aside from maybe Lee J. Cobb, don't really engage either. Pity, it's a subject with story well worth the telling - this just isn't really a film that's well worth the watching.
