Exodus
あらすじ
No synopsis available.
予告・トレイラー
興行成績
製作費: $4,000,000 (6億円)
興行収入: $20,000,000 (30億円)
推定収支: $16,000,000 (24億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
No synopsis available.
製作費: $4,000,000 (6億円)
興行収入: $20,000,000 (30億円)
推定収支: $16,000,000 (24億円)
※製作費・興行収入はTMDBのデータを参照しています。収支は(興行収入 - 製作費)で算出したFindKey独自の推定値であり、広告宣伝費や諸経費は含まれません (1ドル=150円換算)。
監督: Otto Preminger
脚本: Dalton Trumbo / Leon Uris
音楽: Ernest Gold
制作: Otto Preminger
撮影監督: Sam Leavitt
制作会社: Otto Preminger Films / United Artists / Carlyle-Alpina, S.A.
A want-to-be epic story that fails quite miserable. Excessively long and not well edited with tons of meaningless scenes and quite a bad positioning of the camera which outcomes in wrong lightning and shadows from the filming team. The best is its soundtrack, by far.
Despite having quite a formidable, international, cast - this is really a rather plodding history that's really only memorable because of the Ernest Gold score. The story all centres around a group of Jewish immigrants who are stuck in British-mandated territory and they want to get to Israel. Luckily for them, "Ari" (Paul Newman) is on hand and using a combination of British indifference, politics and guile manages to get them onto a boat and on to their promised land. Thing is, once they get there and try to stand on their own two feet (collectively) they realise that they are quite literally surrounded by hostility. There's even the odd aspect of that from the factions within their own communities as their struggle for independence becomes as much one to survive. The history of this time is fascinating, especially as it's probably not a great deal less lively sixty years on, but the way this chronology unfolds is really wordy and pedestrian. It's clearly a bit of a labour of love for Otto Preminger, but that enthusiasm just isn't contagious as almost 3½ hours really does lumber along in a stop-start manner that makes it difficult to get involved with. The same s truly of the characterisations whom, aside from maybe Lee J. Cobb, don't really engage either. Pity, it's a subject with story well worth the telling - this just isn't really a film that's well worth the watching.
