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As You Like It
As You Like It

As You Like It

20062h 7m★ 5.7コメディドラマロマンス

あらすじ

No synopsis available.

作品考察・見どころ

ケネス・ブラナーは、シェイクスピアの古典を明治期の日本へと大胆に移築し、原作の「追放と再生」という主題を独自の映像美で昇華させました。舞台劇では表現しきれないアーデンの森の広大さと情緒的な色彩が、台詞の応酬を超えた圧倒的な解放感を体現しています。 ブライス・ダラス・ハワードの瑞々しい演技は、性別の境界を軽やかに越え、真実の愛を探求する人間の多面性を鮮烈に浮き彫りにします。洗練された喜劇の奥底に流れる、不変の人間讃歌。現実から逃避した先で真の自分を見出す喜びを、これほど情熱的に描いた傑作はありません。

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予告・トレイラー

キャスト

Romola Garai
Romola Garai
Celia
ケヴィン・クライン
ケヴィン・クライン
Jaques
ブライス・ダラス・ハワード
ブライス・ダラス・ハワード
Rosalind
Adrian Lester
Adrian Lester
Oliver De Boys
ジャネット・マクティア
ジャネット・マクティア
Audrey
アルフレッド・モリーナ
アルフレッド・モリーナ
Touchstone
デヴィッド・オイェロウォ
デヴィッド・オイェロウォ
Orlando De Boys
Jimmy Yuill
Jimmy Yuill
Corin
Brian Blessed
Brian Blessed
Duke Senior/Duke Frederick
Richard Briers
Richard Briers
Adam

スタッフ・制作会社

監督: ケネス・ブラナー

脚本: ケネス・ブラナー / ウィリアム・シェイクスピア

音楽: Patrick Doyle

制作: ケネス・ブラナー / Simon Moseley / Judy Hofflund

撮影監督: Roger Lanser

制作会社: Shakespeare Film Company / HBO Films / BBC Film

TMDB ユーザーのレビュー

DocTerminus
DocTerminus
★ 6

I believe Kenneth Branagh's Shakespeare based films are a great success. I don't mean that they got good reviews and made box office bank. For me, his **HENRY V** was the first time watching Shakespeare I was intrigued and, frankly followed the language and story. His **MUCH ADO ABOUT NOTHING** and his **HAMLET** reinforced my opinion. I even thought it possible that we would eventually see 37-ish Shakespeare stories enjoyed by modern audiences. While it may still happen, its unlikely to be completely under the directorial eye of Branagh. Maybe others felt this way, as a new company was formed - _THE SHAKESPEARE FILM company_. A production company under Branagh dedicated to Shakespeare productions. The company underperformed considerably with **LOVE'S LABOUR'S LOST** and was shuttered after the only slightly more promising follow-up... > **_AS YOU LIKE IT_** Duke Senior reigns over a happy community, until his jealous brother banishes the Duke and takes his throne by force. The story follows the banished king's daughter as she navigates her love for a young farmer while under the gaze of the disapproving uncle. This film has a high powered cast. There is another lyrical score by Patrick Doyle. The cinematography and production design are beautiful. Placing the story in Japan is intriguing. It has a lot going for it. Yet, it seems muddy and unclear. The first portion of the film confidently plants Shakespeare's story into a Shogun ruled Japan. Yet, the story seems to meander away from that until only the costuming suggests Japanese influence. Maybe relocating the story to this cultural environment was a meal not fully cooked. Bryce Dallas Howard carries the film as a smiling and intelligent Rosalind. The excellent Alfred Molina is the clown whose scenes contain the only humorous material. Much of Branagh's Shakespeare community fills in several roles including my favorite, Brian Blessed playing the empathetic banished king and his tyrannical usurping brother. Depressingly, the usually wonderful Kevin Kline gives a quiet and toothless performance of Jaques which renders him forgotten by the time the credits role. Similarly wasted is Adrian Lester. Branagh certainly knows how to make money look good on screen. His approach adapting the bard's work is not as strong or confident as his earliest efforts. Maybe this says more about the original source, but there are surprising things that have to reflect today's choices. Most obviously, why is the plays most popular _All the world's a stage_ quote is delivered over a soft focus pan of Jaques sitting in the blurred distance. It is lost and forgotten. **AS YOU LIKE IT** is leaps better than **LOVE'S LABOUR'S LOST**, but not enough to keep the new _Shakespeare Film Company_ alive. Other filmmakers have stepped up and are offering great modern takes on Shakespeare without twisting his language and story to unrecognizable propaganda. We may see the Shakespeare Cinematic Universe after all.

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