Back to Bataan
あらすじ
No synopsis available.
予告・トレイラー
作品考察・見どころ
AIが作品の魅力を深く読み解いています
スタッフ・制作会社
監督: Edward Dmytryk
脚本: Æneas MacKenzie / Ben Barzman / Richard H. Landau
制作: Robert Fellows
撮影監督: Nicholas Musuraca
制作会社: RKO Radio Pictures
No synopsis available.
AIが作品の魅力を深く読み解いています
監督: Edward Dmytryk
脚本: Æneas MacKenzie / Ben Barzman / Richard H. Landau
制作: Robert Fellows
撮影監督: Nicholas Musuraca
制作会社: RKO Radio Pictures
I send out 100 men, they find nothing. I send out ten men, they don't come back. Is it churlish to complain about overt flag waving in war movies? Or to decry propaganda prose in the same? Back to Bataan is guilty as charged, yet such is the composition of Edward Dmytryk's film, and its focus on a part of the war we rarely have seen on film, it matters not. We are in 1942, and after the fall of the Philippines to the Japanese, U.S. Army Col. Joseph Madden (John Wayne) stays behind to lead the local guerrilla resistance against the Japanese army. With that synopsis it isn't hard to figure out what sort of pic we are going to get, yet to purely consider this as a macho beefcake movie is a little unfair. Sure it's bookended by blistering action, as Duke Wayne (very restrained turn actually) and Anthony Quinn cut a swathe through the RKO sound stages, but there's lots of intelligent human interactions here to mark it as being in the least knowing of the campaign. It often grasps for the sentimental branch, while the racist barbs and portrayal of the Japanese does sting at times. But this is exciting and thoughtful stuff, boosted no end by Dmytryk's sturdy direction and Nicholas Musuraca's monochrome photography (a film noir lovers dream pairing!). Better than routine war movie. 7/10
