FindKey

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Journal of a Crime
Journal of a Crime

Journal of a Crime

19341h 5m★ 5.7犯罪スリラー

あらすじ

No synopsis available.

作品考察・見どころ

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スタッフ・制作会社

監督: William Keighley

脚本: F. Hugh Herbert / Charles Kenyon / Jacques Deval

音楽: Heinz Roemheld

制作: Hal B. Wallis

撮影監督: Ernest Haller

制作会社: First National Pictures

口コミ

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キャスト

Ruth Chatterton
Ruth Chatterton
Francoise Mollet
Adolphe Menjou
Adolphe Menjou
Paul Mollet
Claire Dodd
Claire Dodd
Odette Florey
George Barbier
George Barbier
Chautard
Douglass Dumbrille
Douglass Dumbrille
Cartier (as Douglas Dumbrille)
Noel Madison
Noel Madison
Costelli
Henry O'Neill
Henry O'Neill
Doctor
Phillip Reed
Phillip Reed
Young Man at Party
Henry Kolker
Henry Kolker
Henri Marcher
Frank Reicher
Frank Reicher
Herr Winterstein

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

"Moliet" (Adolphe Menjou) is under pressure from his mistress "Odette" (Claire Dodd) to end his marriage and come live with her. He is reluctant, but his hand is forced when his wife (Ruth Chatterton) overhears a bit of conversation that causes her to preempt things by shooting her rival - conveniently, as it happens, as hoodlum "Costelli" is nearby, apprehended and convicted of the crime. Thing is, "Moliet" knows who really killed his lover and she knows he knows, so their home life becomes something quite attritional with "Francoise" determined to keep her man at all costs and he equally determined, though rather benignly, that she will come to terms with the ramifications of her actions and, he hopes, do the right thing. Will she, though? The film here isn't really anything more than a standard revenge drama, but Chatterton's role offers her a chance to play the increasingly troubled character with some deft. Her gradual realisation of the impact of her actions - on her, her husband and even on the man who will take the rap, gradually makes her ill and lifeless and she performs this latter part of the role so as to encourage us to feel almost sympathetic for her. Menjou does fine as a conduit for his co-star to shine here and though the denouement is a bit of a let down, it's still worth a watch to remember that Ruth Chatterton's move into sound pictures was a great deal smoother than many.

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