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They Were Expendable
They Were Expendable

They Were Expendable

19452h 15m★ 6.5ドラマ戦争
Amazon Prime Video
Amazon Prime Video with Ads
FOD

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No synopsis available.

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Amazon Prime Video
Amazon Prime Video with Ads
FOD

キャスト

Robert Montgomery
Robert Montgomery
Lt. John Brickley
John Wayne
John Wayne
Lt. (J.G.) 'Rusty' Ryan
Donna Reed
Donna Reed
Lt. Sandy Davyss
Jack Holt
Jack Holt
General Martin
Ward Bond
Ward Bond
"Boats" Mulcahey, Chief Boatswain's Mate
Marshall Thompson
Marshall Thompson
Ens. 'Snake' Gardner
Paul Langton
Paul Langton
Ens. 'Andy' Andrews
Leon Ames
Leon Ames
Major James Morton
Arthur Walsh
Arthur Walsh
Seaman Jones
Donald Curtis
Donald Curtis
Lt. (J.G.) 'Shorty' Long

スタッフ・制作会社

監督: John Ford

脚本: Frank Wead / William L. White / Christina Stead

音楽: Herbert Stothart

制作: John Ford

撮影監督: Joseph H. August

制作会社: Metro-Goldwyn-Mayer

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 7

"Brick" (Robert Montgomery) is an US Navy lieutenant desperate to prove that his motorised torpedo boats can do more for the war effort than deliver the mail. Luckily, he's got "Rusty" (John Wayne) as his number two and plenty of opportunity to test their theories against the advancing Japanese as with things looking terrible for the Americans in Manila, they have their work cut out for them. Even though things are relentless and perilous, "Rusty" still finds time for a little romance with nurse "Sandy" (Donna Reed) and we've also got Ward Bond and a lively few scenes from "Dad" (Russell Simpson) to help keep the adventure focused. The film was co-written by "Spig" Wead - a man whom Wayne played in another John Ford feature "The Wings of Eagles" (1957) - so the narrative has a degree of authenticity as their forces are forced to retreat towards Australia. There are also some decent visual effects with plenty of action, (not so) near misses as Ford allows his three stars to tell this story in a far less jingoistic fashion than some of the more propagandist efforts made to bolster public support during WWII. Wayne turns on the charm here - with Reed and with the audience, and this works well.

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