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Mata Hari, agent H21
Mata Hari, agent H21

Mata Hari, agent H21

19641h 38m★ 5.6ドラマ履歴ロマンス戦争

あらすじ

No synopsis available.

作品考察・見どころ

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スタッフ・制作会社

監督: Jean-Louis Richard

脚本: Jean-Louis Richard / François Truffaut

音楽: Georges Delerue

制作: Eugène Lépicier

撮影監督: Michel Kelber

制作会社: Fida Cinematografica / Filmel / Les Films du Carrosse / Simar Films

口コミ

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キャスト

Jeanne Moreau
Jeanne Moreau
Mata Hari
Jean-Louis Trintignant
Jean-Louis Trintignant
Captain François Lasalle
Claude Rich
Claude Rich
Julien the Chauffeur
Henri Garcin
Henri Garcin
Gaston
Georges Riquier
Georges Riquier
Ludovic
Frank Villard
Frank Villard
Colonel Emile Pelletier / Legrand
Albert Rémy
Albert Rémy
Adam Zelle
No Image
Hella Petri
La baronne du Maine
Nicole Desailly
Nicole Desailly
Charlotte
Carla Marlier
Carla Marlier
Ernestine

TMDB ユーザーのレビュー

CinemaSerf
CinemaSerf
★ 6

I thought for a moment it was Gale Sondergaard under the bejewelled crown, but no - it's Jeanne Moreau as the eponymous lady who charms the pants, literally, from the French soldiers from whom she exacts more than kisses. She lives well on the proceeds of her courtesanship, but she also augments that cash by working for the Bosch towards the end of the Great War enabling them to acquire useful French state secrets. She is cold and calculating until she encounters "Lasalle" (Jean-Louis Trintignant). There's something about him that permeates her hitherto impervious armour, and though that doesn't stop her using him, unusually she begins to care. That's dangerous thing for both of them, and when he discovers that she is still trying to tap up his superiors, he decides to abandon ship before he gets hurt - well emotionally, anyway. Physically, well some shrapnel soon lays him low and brings her to his side for a reconciliation, and from her perspective, a bit of a reassessment of her priorities. Is it all too late, though? The drama is portrayed in just a bit too staccato a fashion here and though I did think there was some chemistry between the two, the story unfolds in quite an episodic manner with little real emotion to explain why she connected with him, or even why she was up to no good in the first place. Some context on that score might have elicited a little more sympathy for her but it's not there so it's left to be a slightly disappointing soapy melodrama with espionage trimmings. I did quite enjoy it, but it could have been better.

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