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荒野のガンマン
荒野のガンマン

荒野のガンマン

19611h 33m★ 5.6西洋
Amazon Prime Video
Cultpix
Amazon Prime Video with Ads

あらすじ

主人公イエローレッグは、南北戦争で捕虜となったとき、南軍の兵士に頭の皮を剥がされそうになった。彼は戦争が終わった後も、その相手を探し求めていた。とある村で、彼は一人の男をリンチから救う。だが、その相手は、かつて彼に残忍な振舞いをした当の相手だった。

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Amazon Prime Video
Cultpix
Amazon Prime Video with Ads

レンタル・購入

Amazon Video
FOD

キャスト

Maureen O'Hara
Maureen O'Hara
Kit Tilden
Brian Keith
Brian Keith
Yellowleg
Steve Cochran
Steve Cochran
Billy Keplinger
Chill Wills
Chill Wills
Turk
ストローザー・マーティン
ストローザー・マーティン
Parson
Will Wright
Will Wright
Doctor Acton
James O'Hara
James O'Hara
Cal, General Store
No Image
Peter O'Crotty
Mayor of Hila City
No Image
Billy Vaughan
Mead Tildon Jr.
Chuck Hayward
Chuck Hayward
Card Sharp (uncredited)

スタッフ・制作会社

監督: Sam Peckinpah

脚本: Albert Sidney Fleischman

音楽: Marlin Skiles

制作: Charles B. Fitzsimons

撮影監督: William H. Clothier

制作会社: Pathé-America Distributing Company / Carousel Productions

TMDB ユーザーのレビュー

Wuchak
Wuchak
★ 5

***Melancholic, harsh Peckinpah Western with Keith and O’Hara*** A former Union soldier, Yellowleg (Brian Keith), vengefully searches for a Confederate who tried to scalp him alive 5 years earlier. After something bad happens in an Arizona town he offers to escort a dance hall woman (Maureen O’Hara) to a ghost town where her former beau was buried. There are a couple problems though: They have to go through Apache territory and two lowlifes accompany them most of the way. Released in 1961, “The Deadly Companions” has a lot going for it: It stars Keith and the beautiful O'Hara, who had such great chemistry in "The Parent Trap,” released the very same month. This is Sam Peckinpah's directorial debut in cinema. Most people reading this know that Peckinpah went on to become a highly acclaimed director with notable efforts like "Ride the High Country" (1962). In addition, "The Deadly Companions" was filmed on location in Arizona (including Old Tucson); you can't beat Arizona for fine, authentic Western locations. Lastly, the picture only runs 90 minutes, so it won't likely wear out its welcome. The first act is promising, highlighted by a church service in a saloon with O'Hara playing a social outcast amongst the church folk (for legitimate reasons). After a tragedy happens, the tone turns melancholic as the characters take a hard journey through the desert where they fight with each other and the Injuns. The movie’s realistic and harsh, reminiscent of unmemorable Westerns like “The Appaloosa” (1966) and “The Stalking Moon” (1968). “Molly and Lawless John” (1972) was the only one that took this basic approach and made a compelling Western. But at least Peckinpah & team tried to do something different, like Brando did with the contemporaneous “One-Eyed Jacks.” The odd classical-meets-Country-and-Western score by Marlin Skiles is notable. At the end of the day “The Deadly Companions” shoots for dark art with a message of maybe redemption but, after the quality first act, never rises above mediocre. And verges on “The Deadly Dull.” I kind of liked it, though, but you have to be in a meditative, brooding mood. GRADE: C

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